In astrology an upright triangle represents the most positive of the aspects, a trine, or the angle of 120 degrees between planets, but it is also used to represent the astrological element of Fire, and as astrological signs are arranged in four triplicities — fire, air, earth, water — it represents the Fire signs. [Conversely, in astrological symbology, a triangle with a lower line drawn through horizontally, denotes the Air signs].
While the triangle does not appear much in prehistoric symbolism (when the circle, feminine womb symbol, predominated), it does feature in biblical history and in Judaeo-Christian symbolic word-construction where it became associated with the Divine number THREE. It is an older symbol than the medieval swastika or pentagram (based themselves on numbers four and five. Xenocrate, who died in 324 BC, stated that the (three-sided) equilateral triangle was a symbol for God. In Christian symbolism it stands for the Holy Trinity.
In modern thought, it is a symbol of dualism: a ‘caution’ triangle on a road sign may simultaneously denote (for the motorist) an upcoming pedestrian crossing — therefore a warning; while for the approaching pedestrian the triangle signifies it is ‘safe’ to cross. In road etiquette, a single red triangle (either in wooden painted joinery form or as a red-colored sign) placed on a road verge or a blind corner will slow the auto driver down because he doesn’t know what is ahead.
It has an amazing repertoire of significance in more recent history: from botany to air traffic control.
In cartography a clear triangle stands for natural gas while a darkened triangle means oil well. Mapmakers at this very moment have a lot of dark triangles scattered across maps of the Gulf of Mexico.In plant and horticultural terms an upright (apex at top) triangle denotes an evergreen perennial. In meteorology it means hail is forecast. Physicists use the triangle symbol to mean ‘lowering freezing point’ or ‘lowering temperature’, while chemists (and alchemists) use it for the opposite: a triangle suggests that temperature is rising. As a convention among flyers, in ground-to-air emergency code it implies ‘safe to land here‘.
To help understand the phenomenon, we make a gentle nod of appreciation to turn-of-the-century ‘traveling people’. Europeans call them Gypsies, using a perfectly politically-correct description of an eastern European people who made their home on the Road.Gypsy symbology was for hundreds of years a carefully-guarded secret. Where a host had been hospitable, offered food or sustenance and kindly directions, a Gypsy symbol would be affixed to a gatepost or tree in the lane outside the property as a signal to a fellow traveler that here lived a friend. It worked both ways. In hard times a Gypsy would repay kindness with kindness and a generous host would receive unexpected gifts from the next visitor: a 19th/20th century version of ‘pay-it-forward’. The Wilton 12-segmented circle might be seen as a dandelion ‘clock’, in the world of Gypsy symbolism a sign of ascendance and transformation (yellow petals going inward and reemerging as powder-puff seeds). Human transfiguration from earth to heaven. CONDUIT CLOSING
Messages are not new in the Kornkreise. One of the first to be deciphered was the Chilbolton radio telescope formation which appeared in the summer of 2001. Its message was clearly an answer to the radio telescope transmission sent in 1974 by Dr. Carl Sagan and his team of astronomers based at Cornell, New York, Cambridge, Mass, but transmitted from Puerto Rico’s telescope at Arecibo. The ‘reply’ caused a stir. Carl Sagan was sadly no longer around to appreciate it. His team were interested in the similarities expressed in the crop message and their original transmission. It was the differences, however, which fascinated: it was a clear attempt to express a communication from an entity which does not have human proportions. Messages then followed thick and fast. In the next year, only eight miles south of Chilbolton at Crabwood Farm near Winchester, the ‘Alien face’ appeared accompanied by its ASCII (binary) message: interpreters used a similar method to the Chilbolton design: seeing the crop folds and standing tufts as ‘pixels’. Substitute a 1 for standing crop, 0 for flattened sections; dividers between words were smaller tufts. An anonymous crop circle computer wiz volunteered a binary translation shortly after its appearance. His work was doublechecked by Paul Vigay – then still alive and at the time working on cymatics – sonic and musical form expressed as a visual. He agreed with the decoding: The message said:
Beware the bearers of FALSE gifts and their BROKEN PROMISES. Much PAIN but still time. (damaged word). There is GOOD out there. We OPpose DECEPTION. conduit closing (bell sound)
There are still a lot of messages out there we haven’t yet succeeded in interpreting. The great tail of the swallow of Alton Barnes formed in June 2009 comes to mind. As does the magnificent third phase of code added to its neighboring triple-formed ‘astrolabe’ below Milk Hill Alton Barnes over solstice week 2009 — astrolabe ‘pendulum’ forming first, then orbiting planets, then 1000-foot trailing code.
Do you think we are being treated to signage from the stars for mere entertainment? Or is this season working on our DNA in cumulative fashion?
In the absence of Carl Sagan, Paul Vigay and Gerald Hawkins, we are floundering in ASCII code but in muddied waters, unable to decipher either musical notation, sacred geometry or intervals in a sonic scale in crop circle symbology (on which Vigay and Hawkins corresponded before their deaths). However, Joseph Mason who works with dream analogy, linking sacred geometry, symbolism and intuitive messages, may be able to help. He says:
In a dream I was told “The experiment that would transform your world would operate upon the basic idea that you create your own reality according to the nature of your beliefs, and that all existence is blessed, and that evil does not exist in it. If these ideas were followed individually and collectively, then the evidence of your physical senses would find no contradiction. They would perceive the world and existence as good.”
Within the last week, molecular biologist Dr Craig Venter and his team of US scientists in Maryland and California developed synthetic ‘genetic software’ (DNA) for a bacterium and transplanted it into a host cell. The DNA responded exactly as it had been ‘programmed’ to do.
Russian molecular biologists have found it possible to communicate with DNA through voice-modulated laser light. With voice-modulated laser light it is possible to transpose genetic information from one genome to another without the need for transplanting and splicing chemical genes. The Russian researchers spoke to DNA finding their voice modulation and tone achieved the effect of a frequency which resonated with the DNA. They discovered that at a fundamental level the DNA follows the modulated voice tones of mankind, or, put spiritually: DNA is capable of responding to the WORD.
Joy will return and in a way which will fill the hearts of all mankind. You will come through a tremendous struggle into the age of conscious awareness of the oneness of the ALL.
This groundbreaking thought is reminiscent of a protolanguage which Robert Boerman used to interpret the Milk Hill inscription in 1991. Using voice modulated laser light it is possible to change DNA, and as it is known that DNA of the plant (rape, barley, wheat) is modified when crop circles are created, it appears that the energy that forms crop circles is in the nature of this voice-modulated laser light (crop circle formation is sometimes corroborated by eyewitness accounts of anomalous luminous phenomena).
Judy Beebe says:
“There is a language which is used to communicate intergalactically and from spirit to spirit. This is the Language of Light, a language of symbols. Symbols are played through our bodies and the understanding then delivers a dialogue. This is what the crop circles have been trying to convey to an awakening world. The reason these symbols must be played through our bodies is that we have within us the truth of the macrocosm.”
Native American shaman Nippawanock of the Arapahoe says:
‘Prophecy is underway — as earth changes unfold, the Sacred Symbols will be newly understood.’
In the last week the Sun, long past its forecast trough of an 11-year minimum sunspot cycle, started to stir again. As we know, when sunspots start happening once more, the electromagnetic field reenergizes and we feel the effects on Earth. This latest surge comes from a huge coronal hole in the sun’s earth-facing disk.
In our past experience, a coronal mass ejection (CME) precipitates a flurry of electromagnetic activity on earth, including increased crop circle appearances.
The code in the Wilton windmill ‘sails’ looks a little like binary code but it reminds me more of either a computer disk image or, even older, the workings of a Swiss music box. I remember listening to a Victorian pianola in a resort hotel as a child. Its workings fascinated me. By inserting a large metal disk precision cut with a specific series of holes, slurs, slits and bumps, it operated like the miniature musical box but on ‘carnie’ carnival scale. The pianola took up a whole corner of the room. Like a jukebox it blared out its music hall rhythm the minute the ‘reading’ needle hit the disk. I seem to remember the music played a lot longer than current pop three-minute renditions… but memory sometimes tricks. The Wilton windmill formation looks a lot like a pianola disk, 300 feet across!
So, is cymatics once more being suggested to us? the interchangeability of sound played as a visual? I shall be the first to congratulate the decipherer of the Wilton windmill ‘disk’. It is begging to tell us its message.
One pleasant thought to keep us thinking positively through what lies ahead: by the time the main bulk of crop circles appears in June and July, we shall have amassed a superb body of new designs, coded messages and even be in a position to interpret some of them. We may by then have grasped a lot more of the symbolism being presented to us and will be better prepared for creative and constructive action. We are, after all, creating our own reality.
Another thought: when we are happy, we sing, we hum, we make a happy sound. Perhaps the formation wants us to do that. What miracles might we create if we collectively sang in harmony?
When it is within our imagination to conceive the impossible, everything becomes possible.