Sychronicity of Mind : Miracle in Manifestation

Conduit Closing… 2012

Unprecedented, in a tight corner of one of the last fields to be harvested in 2012, Windmill Hill crop formation of October 14th came in answer to a group prayer; image courtesy CropCircleconnector.com

Few followers of the crop circle phenomenon would expect anything dramatic to appear in English fields in mid October. Technically, the season is over. Now is the time when Wiltshire’s canal-side pubs have rescued their outdoor chairs and tables from the drenching rain and put up shutters for another year. And yet at some deep level one can venture to describe as ‘beyond our ken’, there have been other forces at work. Several ‘croppies’ hoped for just one more image to satisfy their craving, to confirm their belief that there was something still to come and, remarkably another ‘final’ design of the season—the ‘conduit closing’ message of 2012—appeared overnight October 14th next to neolithic sacred site Windmill Hill, above.

Located at one of Wiltshire’s favored hotspots, more significantly the new design was ‘anticipated’, at least by a small group of devotees, praying to have their belief confirmed by an answer in the corn.

rt: the ‘visualization’ September 11th, courtesy M.Etchepare, left: Windmill Hill CC October 14th, 2012, courtesy ET

This is not the first time crop circle enthusiasts have ‘wished for’ a design and one appeared. In the 1990s there were several instances of preemptive visualization, not least of these being the Mandelbrot Set crop formation of August 11, 1991, documented in full by Joseph Mason. Throughout that decade Freddie Silva expounded his theory that all crop circles were produced by ultrasound. Another visionary of the 1990s crop circle resurgence, Paul Vigay (1964-2009) corresponded with former Stonehenge decoder Gerald S. Hawkins, and they both agreed that sacred sound had a significant place in the creation of such ephemeral appearances. Hawkins had then recently succeeded in decyphering the Milk Hill script sent by the circlemakers in answer to his colleagues’ demand: “Talk to us” in 1991.

Vigay’s work with Hawkins led to a previously obscure relationship between sacred geometry and intervals on the music scale noticed by the ancient Egyptians: their ‘frozen music’, below. To Vigay it was a natural progression to make recordings of pixel images of crop circles which he played through a computer program, converting pixels to sound. He discovered the resulting music had a quality conducive to meditation, relaxation and deep contentment: essentially sounds in the ‘alpha’ wave band.

Dendera Zodiac in the ancient temple of Hathor, Dendera/Lunet Luxor Egypt

Many indigenous and antique civilizations had knowledge that sound could affect matter: or that certain sound frequencies are light-resonant. This information held by the priesthoods of various religions and cultures was known as Sacred Sound or the ‘Lost Chord’. See our earlier research on the healing chambers within certain pyramids which were ‘wired for sound’.

These sacred sounds form a predetermined scale of octaves.The human voice, when suitably reverent, is also one of those tones which can affect its surroundings. One has only to hear a child being lulled to sleep by a mother’s comforting song to know that such frequencies break down barriers, cross into unseen worlds.

In the Beginning was the Word
In the late nineties, before they both died, Gerald Hawkins and Paul Vigay agreed that crop circle designs manifested precisely according to Hawkins’s theory based on four principles found in Euclidean/sacred geometry, that:

“… theorem involves concentric circles each touching the sides of a triangle, and as the triangle changes shape, it generates special crop-circle geometries”

He developed a fifth crop-circle theorem elaborating on the triangle, finding that if several concentric circles touched at the triangle’s sides and corners, different triangles gave different sets of circles. He was astonished to find that the ratios within triangles, circles and other geometric configurations equated sacred design used by the ancient Egyptians— and that they likened geometry to ‘frozen music’.

An equilateral triangle produces one of the observed crop-circle patterns; three isoceles triangles generate the other crop-circle geometries. What is most surprising is that all geometries give diatonic—musical—ratios. Before us, only the Egyptians linked geometric theorems with music.
Dr. Gerald S. Hawkins

In the crop circle community the paranormal has never been the only attraction for circlewatchers. There are those who doubt, but many more believe that electromagnetic, sonar and solar powers are at work. In the 2012 season of many pitfalls—despite angry removal of designs by harassed farmers, long periods of rain, a dominant theme has nevertheless penetrated the cropwatcher psyche—that transmission via ancient serpent earth-energy is alive and wishing to communicate with those earth-dwellers willing to believe such communication possible.

Gerald Hawkins believed it, his team decyphering the 1991 Milk Hill glyph found it read both ways: left-to-right and right-to-left:

Oppono-Astos = I oppose acts of cunning (deception)
and OII-OCCULUI-II-NUNC-IIO = I am hidden for now

The Background:

Hackpen Hill, August 26th: remarkably perfect crop design on the edge of the Marlborough Downs, where the ancient Ridgeway skirts the sacred energy center … many experienced lift-off within the circle

For those passionate crop circle followers who lovingly noted each bent node or whisker of a central tuft since the wet season of 2012 began, the prehistoric sacred triangle centered on Avebury—radiating northwest to Windmill Hill, east to Marlborough and south-south-east via the ancient Ridgeway, Silbury, West Kennet and the Sanctuary to Woodborough Hill—has manifested miracles. The ancient energy which drew neolithic farmers from their precious labor to erect sacred stones in respect for its potency, was the same electromagnetic force recognized by current researchers as being instrumental in producing crop formations.

Avebury heartland is simultaneously neolithic stone circle heaven, and twenty-first century crop circle hub. And it looked as if the sacredness was beginning to rub off.

“The crop circles have become signs and portents of our time. They function as huge Rorschach tests writ large in the fields of southern England, deciphered according to the belief of those who view the phenomenon”
John Lundberg, circlemaker

Stories like the Hawkins group-decyphering abound within cropcircle internet groups and their Wiltshire colleagues, the on-the-ground experts who watch each year and share interpretations.

In late August, after a dreary year of rain-drenched crops, with anxious farmers cutting fields as soon as standing grain was dry enough to drive a combine through, several crop designs came and went overnight. The build-up of croppie anticipation was dashed in several instances of crop circles being cut out before visitors could set foot in fragile fields. In many instances, solitary aerial photographs were a boon to those making the journey on foot, only to find a formation had vanished. Many felt disappointment, experienced no clearcut finale , as in previous seasons.

As the season lengthened into fall, and September 11th drew on to equinox—many Maya-inspired followers were anticipating a series of consecutive energy portals described vividly by Maya scholar Miguel Etchepare, featured in our last blog, A small intrepid group-within-a-group sensing a need for closure and an energy-doorway offering an opportunity, synchronously envisaged asking for another design to appear. If a communal prayer went up, perhaps the spirit of the corn might hear and send a reply.

The Visualization:
Hesitant amateurs at first, the ‘experiment’ couldn’t decide on what to visualize: the last CC had been the stunning August 26th hypercube, above: an exquisitely executed UFO-launch pad at Hackpen Hill. Yet the dominant theme of previous months had been the ‘tadpoles’, dragon-energy, the voice of Mother Earth-serpent before she settled on her sacred nest. The Maya Tzolkin portal presented ten consecutive days full of serpent energy; intense discussion followed via various threads, and design suggestions came forward. The inspiration percolated.

Our ancestors would have been proud of us: a twenty-first century group of predominantly western first-world types who didn’t really believe in folk magic; didn’t really think they could do something so connected to the Group Mind. But Brazilian astronomer Etchepare suggested, instead of a multitude of wishful-thinking-dreamscape-ideas—which could dissipate group energy—a simple stylized serpent head/upheld curved angel wings, above right, the die was cast. The graphic was posted on Facebook, people got on with their lives; but subliminally, we must all have waited and wondered…

Avebury’s culmination of serpentine energy, August 1st 2012, pointing to December 21st alignment at dawn when Mercury, Venus and Mars rise with Saturn before the Sun
consummate interpretation courtesy Miguel Etchepare

Meanwhile Miguel, spurred on by the Tzolkin portal, was simultaneously being given divine inspiration to interpret the remarkable Lammas serpentine appearance which nestled at Avebury, August 1st. See his remarkable video, below, one of an interpretive series, linking the serpents within the neolithic amphitheatre of Avebury, Woodborough, Picked Hill to the rising of the Serpent—constellation Serpens, held by Ophiuchus—alongside planets Saturn, Mars, Mercury and Venus as a prelude to dawn on December 21st, 2012.

No wonder our prayer in sound had potency. All the energy was there. Croppies believed! As individuals focused in their own way—but on an energetic level presenting a communal tone—voiced or unvoiced—the ‘intent’, ‘request’, belief for a final glyph to appear, was sent aloft: not perhaps on the same physical level as the SETI or Arecibo transmissions of the 1970s-1990s, but, intuitively, prayerfully, with focused intent from the Group Mind to the energy matrix ‘out there’.

The Prayer:
As we all know, the sound of a loved one’s voice, or a prayer released in earnest petition, can hold a vibration similar to music. From Gregorian chant to cathedral choir to rock and roll, music creates its own sacred vibration. The original utterance made by God in all Hebrew, Aramaic, Arab and Vedic tradition was the ‘Word’: a sound issuing through the airwaves. Regardless of how one interprets it, a sound by a dedicated—however small—group of humanity issued during September 11th weekend rose into the creative matrix to swirl with other sounds among the stars.

A strictly ordered system of mathematical progressions is necessary to create the smallest speck of matter from the primeval matrix of space. This mathematical fractal progression utilizes the mathematical equation relating to three Sacred Sounds
Φ PHI = 7/5 PI/e*
Bruce L. Cathie, The Energy Grid—Lost Science, 1997

*Φ PHI – the ratio that controls the formation of life
π PI – the ratio that controls the formation of circles
e – the ratio that control the formation of logarithmic spirals

Prayer answered?
It would seem the prayer invoked an answer—perhaps more than one. The Tzolkin portal seemed to act like a live ‘conduit’ between the Oversoul, the Group Mind and the fields. The ‘galactic activation’ windows, September 11-21, which sliced through equinox blues and inspired Etchepare’s Soothing Serpents series on YouTube, suddenly on new moon weekend, October 13th, produced a new formation—magically—in Miguel’s home country of Brazil. If that were not proof enough, immediately on its heels came a second—final—design on British soil: the much-anticipated curving motif of October 14th at Windmill Hill, top. Even the most skeptic among us can see it bears resemblance to the ‘prayer’ motif, second top.

We were told in Chilbolton 2002, that there is good out there; that we should believe.

Among crop circle believers—marginalized at the best of times—there now exists a warm fuzzy feeling: an answer did come: there is good out there.

‘Conduit closing’ for 2012. *Bell sound*
©2012 Siderealview

Cracking 2010 Crop Circle Triangle Code

Sails of Wilton windmill have a companion: interlocking canola sails of cosmic code

The 2010 season is building. Last weekend – just before the 2010 May full Moon, as the Sun moved from the earth sign of Taurus into the dualistic but communicative air sign of Gemini – a fourth crop circle manifested in a field of oil seed rape near the windmill at Wilton, Wiltshire. It lies approximately twenty-five miles northeast of the Stonehenge line which attracted three early season glyphs. These three previous imprints in canola formed a triangle on the Stonehenge energy vortex on May 5th, 9th and 16th. The ‘keyhole’ formation which stands at the triangle’s NE corner, itself a glorified triangle with radiating isoceles sides, points directly

Wiltshire satellite map of the Stonehenge 'triangle' and Wilton windmill formations

towards last weekend’s latest showing. The Wilton Windmill ‘sails’ in the crop circle form twelve interlocking isoceles triangles circling a central point, each triangle containing something that looks like ASCII – binary – computer code. Within the sails there are two sets of repeating code sections but the other ten are different. It measures 300 feet across. Another triangle meantime manifested on May 14th in an oil seed rape field in Zierenberg, Hessen, Germany.

Zierenberg Hessen triangle appeared May 14th, 2010

Triangle symbolism denotes many ideas simultaneously:

In astrology an upright triangle represents the most positive of the aspects, a trine, or the angle of 120 degrees between planets, but it is also used to represent the astrological element of Fire, and as astrological signs are arranged in four triplicities — fire, air, earth, water — it represents the Fire signs. [Conversely, in astrological symbology, a triangle with a lower line drawn through horizontally, denotes the Air signs].

While the triangle does not appear much in prehistoric symbolism (when the circle, feminine womb symbol, predominated), it does feature in biblical history and in Judaeo-Christian symbolic word-construction where it became associated with the Divine number THREE. It is an older symbol than the medieval swastika or pentagram (based themselves on numbers four and five. Xenocrate, who died in 324 BC, stated that the (three-sided) equilateral triangle was a symbol for God. In Christian symbolism it stands for the Holy Trinity.

Wilton windmill in background, wind 'sails' of code in foreground May 2010

In modern thought, it is a symbol of dualism: a ‘caution’ triangle on a road sign may simultaneously denote (for the motorist) an upcoming pedestrian crossing — therefore a warning; while for the approaching pedestrian the triangle signifies it is ‘safe’ to cross. In road etiquette, a single red triangle (either in wooden painted joinery form or as a red-colored sign) placed on a road verge or a blind corner will slow the auto driver down because he doesn’t know what is ahead.

It has an amazing repertoire of significance in more recent history: from botany to air traffic control.

In cartography a clear triangle stands for natural gas while a darkened triangle means oil well. Mapmakers at this very moment have a lot of dark triangles scattered across maps of the Gulf of Mexico.

Twelve sails in triangular segments filled with ASCII code

In plant and horticultural terms an upright (apex at top) triangle denotes an evergreen perennial. In meteorology it means hail is forecast. Physicists use the triangle symbol to mean ‘lowering freezing point’ or ‘lowering temperature’, while chemists (and alchemists) use it for the opposite: a triangle suggests that temperature is rising. As a convention among flyers, in ground-to-air emergency code it implies ‘safe to land here‘.

To help understand the phenomenon, we make a gentle nod of appreciation to turn-of-the-century ‘traveling people’. Europeans call them Gypsies, using a perfectly politically-correct description of an eastern European people who made their home on the Road.

Dandelion magic used to avert bad luck or attract a desired outcome is also a symbol of transfiguration

Gypsy symbology was for hundreds of years a carefully-guarded secret. Where a host had been hospitable, offered food or sustenance and kindly directions, a Gypsy symbol would be affixed to a gatepost or tree in the lane outside the property as a signal to a fellow traveler that here lived a friend. It worked both ways. In hard times a Gypsy would repay kindness with kindness and a generous host would receive unexpected gifts from the next visitor: a 19th/20th century version of ‘pay-it-forward’. The Wilton 12-segmented circle might be seen as a dandelion ‘clock’, in the world of Gypsy symbolism a sign of ascendance and transformation (yellow petals going inward and reemerging as powder-puff seeds). Human transfiguration from earth to heaven.

Alien Face crop formation with message, Crabwood Farm Winchester 15 August 2002

CONDUIT CLOSING
Messages are not new in the Kornkreise. One of the first to be deciphered was the Chilbolton radio telescope formation which appeared in the summer of 2001. Its message was clearly an answer to the radio telescope transmission sent in 1974 by Dr. Carl Sagan and his team of astronomers based at Cornell, New York, Cambridge, Mass, but transmitted from Puerto Rico’s telescope at Arecibo. The ‘reply’ caused a stir. Carl Sagan was sadly no longer around to appreciate it. His team were interested in the similarities expressed in the crop message and their original transmission. It was the differences, however, which fascinated: it was a clear attempt to express a communication from an entity which does not have human proportions. Messages then followed thick and fast. In the next year, only eight miles south of Chilbolton at Crabwood Farm near Winchester, the ‘Alien face’ appeared accompanied by its ASCII (binary) message: interpreters used a similar method to the Chilbolton design: seeing the crop folds and standing tufts as ‘pixels’. Substitute a 1 for standing crop, 0 for flattened sections; dividers between words were smaller tufts. An anonymous crop circle computer wiz volunteered a binary translation shortly after its appearance. His work was doublechecked by Paul Vigay – then still alive and at the time working on cymatics – sonic and musical form expressed as a visual. He agreed with the decoding: The message said:

Beware the bearers of FALSE gifts and their BROKEN PROMISES. Much PAIN but still time. (damaged word). There is GOOD out there. We OPpose DECEPTION. conduit closing (bell sound)

There are still a lot of messages out there we haven’t yet succeeded in interpreting. The great tail of the swallow of Alton Barnes formed in June 2009 comes to mind. As does the magnificent third phase of code added to its neighboring triple-formed ‘astrolabe’ below Milk Hill Alton Barnes over solstice week 2009 — astrolabe ‘pendulum’ forming first, then orbiting planets, then 1000-foot trailing code.

Astrolabe phase 3 Alton Barnes below Milk Hill White Horse Wiltshire

Do you think we are being treated to signage from the stars for mere entertainment? Or is this season working on our DNA in cumulative fashion?

In the absence of Carl Sagan, Paul Vigay and Gerald Hawkins, we are floundering in ASCII code but in muddied waters, unable to decipher either musical notation, sacred geometry or intervals in a sonic scale in crop circle symbology (on which Vigay and Hawkins corresponded before their deaths). However, Joseph Mason who works with dream analogy, linking sacred geometry, symbolism and intuitive messages, may be able to help. He says:

In a dream I was told “The experiment that would transform your world would operate upon the basic idea that you create your own reality according to the nature of your beliefs, and that all existence is blessed, and that evil does not exist in it. If these ideas were followed individually and collectively, then the evidence of your physical senses would find no contradiction. They would perceive the world and existence as good.”

Within the last week, molecular biologist Dr Craig Venter and his team of US scientists in Maryland and California developed synthetic ‘genetic software’ (DNA) for a bacterium and transplanted it into a host cell. The DNA responded exactly as it had been ‘programmed’ to do.

Russian molecular biologists have found it possible to communicate with DNA through voice-modulated laser light. With voice-modulated laser light it is possible to transpose genetic information from one genome to another without the need for transplanting and splicing chemical genes. The Russian researchers spoke to DNA finding their voice modulation and tone achieved the effect of a frequency which resonated with the DNA. They discovered that at a fundamental level the DNA follows the modulated voice tones of mankind, or, put spiritually: DNA is capable of responding to the WORD.

Joy will return and in a way which will fill the hearts of all mankind. You will come through a tremendous struggle into the age of conscious awareness of the oneness of the ALL.

This groundbreaking thought is reminiscent of a protolanguage which Robert Boerman used to interpret the Milk Hill inscription in 1991. Using voice modulated laser light it is possible to change DNA, and as it is known that DNA of the plant (rape, barley, wheat) is modified when crop circles are created, it appears that the energy that forms crop circles is in the nature of this voice-modulated laser light (crop circle formation is sometimes corroborated by eyewitness accounts of anomalous luminous phenomena).

Judy Beebe says:

“There is a language which is used to communicate intergalactically and from spirit to spirit. This is the Language of Light, a language of symbols. Symbols are played through our bodies and the understanding then delivers a dialogue. This is what the crop circles have been trying to convey to an awakening world. The reason these symbols must be played through our bodies is that we have within us the truth of the macrocosm.”

Native American shaman Nippawanock of the Arapahoe says:

‘Prophecy is underway — as earth changes unfold, the Sacred Symbols will be newly understood.’

In the last week the Sun, long past its forecast trough of an 11-year minimum sunspot cycle, started to stir again. As we know, when sunspots start happening once more, the electromagnetic field reenergizes and we feel the effects on Earth. This latest surge comes from a huge coronal hole in the sun’s earth-facing disk.

Ultraviolet sun: the Sun seen through three lenses shows a massive coronal hole

The image is a composite of three extreme ultraviolet wavelengths: 211 Å (false-color red) 193 Å (green) and 171 Å (blue), each tracing a different gas temperature ranging from 1 to more than 2 million degrees K. Highlights of today’s sun include an enormous magnetic filament, a coronal hole.

In our past experience, a coronal mass ejection (CME) precipitates a flurry of electromagnetic activity on earth, including increased crop circle appearances.

The code in the Wilton windmill ‘sails’ looks a little like binary code but it reminds me more of either a computer disk image or, even older, the workings of a Swiss music box. I remember listening to a Victorian pianola in a resort hotel as a child. Its workings fascinated me. By inserting a large metal disk precision cut with a specific series of holes, slurs, slits and bumps, it operated like the miniature musical box but on ‘carnie’ carnival scale. The pianola took up a whole corner of the room. Like a jukebox it blared out its music hall rhythm the minute the ‘reading’ needle hit the disk. I seem to remember the music played a lot longer than current pop three-minute renditions… but memory sometimes tricks. The Wilton windmill formation looks a lot like a pianola disk, 300 feet across!

So, is cymatics once more being suggested to us? the interchangeability of sound played as a visual? I shall be the first to congratulate the decipherer of the Wilton windmill ‘disk’. It is begging to tell us its message.

One pleasant thought to keep us thinking positively through what lies ahead: by the time the main bulk of crop circles appears in June and July, we shall have amassed a superb body of new designs, coded messages and even be in a position to interpret some of them. We may by then have grasped a lot more of the symbolism being presented to us and will be better prepared for creative and constructive action. We are, after all, creating our own reality.

Another thought: when we are happy, we sing, we hum, we make a happy sound. Perhaps the formation wants us to do that. What miracles might we create if we collectively sang in harmony?

When it is within our imagination to conceive the impossible, everything becomes possible.