Entering the Dream ~via the Crop Circle Portal~

Don’t Go Back to Sleep

Puerta de Hayu Marca-- Gate of the Gods-- in the Stone Forest, Puno, Titicaca, Peru

The breeze at dawn has secrets to tell you.
Don’t go back to sleep. You must ask for what you really want.
Don’t go back to sleep.
People are going back and forth across the doorsill
where the two worlds touch.
The door is round and open.
Don’t go back to sleep.
Don’t go back to sleep, Rumi (1207-1273)

July is High Summer. Time to appreciate earthly gifts. This is brought into sharp focus if one has been through the wringer, as the human race has since early March this year.

So far 2011 has been no ordinary year. There have been revelations and revealings in the way Society conducts business and the Earth has moved for many — literally and metaphorically. Heads of world organizations have rolled and words like ‘transparency’ and ‘integrity’ have surfaced in political speeches and media news. Earth tremors, flash floods, famine and raging wildfires have contributed to more human anguish, but world charitable associations announce greater generosity of giving than ever before.

Becoming Star-wise

Milky Way: 'We are Stardust; we are golden and we've got to get ourselves back to the garden' Joni Mitchell 1969.
Milky Way composite photo 2011, courtesy APOD

More ephemeral than most: Sun crop motif, June 28th, at Allington, Devizes, Wiltshire, cut same day by the farmer,
photo courtesy Dion Steenbergen

Earlier, in the June crop circles, designs seemed to indicate a new twist to the cosmic tale — directing devotees to look heavenward — with planetary alignments reflected in the corn, along with solstitial renderings of meandering comets and other cosmic bodies, inner solar system orbits and a succession of surprise visitors from the void.

Crop circle at Allington (2), also June 28th, repeats a solar-orbiting theme

Two crop circles at Allington Devizes appeared to react to human intervention. After the first sun motif (Allington [1], above, June 28) was unceremoniously cut, another appeared in a neighboring field that same afternoon — at Allington [2], left.

Circlemakers are nothing if not persistent.

These celestial motifs served to bring to the notice of the less-observant croppie that much is changing in our Universe, with a lot of it being witnessed in our skies in this and coming months.

2010 launch: space shuttle Endeavor from Cape Canaveral to 185 miles, prolonged photo exposure by James Vernacotola

Even the less-aware city-dweller realized (via tv/internet) that there is more to last Friday’s final launch of Space Shuttle Atlantis than dollars. Atlantis docked last night at the International Space Station. ISS is becoming a reality: a means of global cooperation and understanding. It also signals our level of commitment to stepping off into Space.

Hubble images, the process of measuring comets, scanning distant stars, monitoring our own Sun — 3D and 360º — and other such esoteric descriptive metaphors have entered the language.

Instead of ‘street-wise’, we are becoming star-wise.

Then July changed the tune.

At Honey Street, a little south of the Wiltshire crop circle “hub”, Alton Barnes, a small crop glyph — like a body launching into orbit — had materialized overnight in a field outside the Barge Inn on June 26th. One week later, two more designs appeared: an apparently unfinished ‘sword’ motif in the same field; and another — coded script between two circular terminals of exquisitely-laid wheat — 100 yards south of the second formation. See my immediately previous blog and Youngbloodblog for details.

Honey Street July 4th unfinished Swords message: potential yet to be fulfilled

Swords, in Tarot interpretation, rule the unseen realm of air. Their symbolism deals with matters of the intangible: thought and mind. Many scholars also consider Swords to represent challenges or difficulties. But challenges which will be overcome — sliced through with scimitar-like precision.

Just as many schools of thought would recognize a challenge as an opportunity, Tarot Swords represent a window into the realm of intangibles — the imagination. Looking at the ‘unfinished’ crop circle at Honey Street laid out overnight July 4th, (Four of Swords), the Tarot interpretation suggests: ‘the card of solitude and the need to experience time apart from others to gather one’s thoughts and feelings before entering the fray.’ The calm before the storm.

There has certainly been a lot of fray. And it seems there will be more.

On the surface, the suit of Swords represents:

Five of Swords: formation completed July 6th; achievement, Phoenix-like at the tip of its touch

The Mind
Perception
Observation
Self-Image
Ego

Its often starkly-depicted imagery is used in some Tarot designs to indicate the intense importance of the Mind. Do not mess with the realm of Mind: it is serious business. Do not approach Mind lightly. It is one of the most powerful, incredible devices in the Universe.

In Tarot as well as in real life, the mind, although a wondrous tool if used rightly, can also hold potential for sinister mutilation of self and others.

Two days later, the Four of Swords formation was ‘completed’: became Five.

Five of Swords signifies something overwhelmingly more exposed: Open dishonor, sacrificing integrity in the face of public scrutiny and acting in self-interest, indulging in power-plays; experiencing defeat by some of the greatest challenges we face in this highly-competitive world.

It is not insignificant that over the July 4th weekend world attention was focused (in the US) on the commemoration of a 1776 event which ousted the British and (in Britain) on the scandal of international business dealings of a newspaper empire which were less than ethical and had American investors exiting in droves.

Milk Hill Celtic knot phase two July 8th, 2011: the infinite triangle; without beginning or end

By contrast, the following weekend, after the appearance of a double-phase (July 6th and 8th) Celtic Triskele at favored Milk Hill itself — a Trinity knot symbolizes perpetuity and faith in the infinite: a celebration of endless cycles of time, human ingenuity and beauty– world attention was focused on Prince William and Kate. Darlings of world media, the Duke and Duchess of Cambridge completed a whirlwind tour of Canada, and arrived in southern California to be greeted by a stunned Hollywood (not easily stunned), going on to star as royal guests at a massive charity BAFTA black-tie Saturday night event on July 9th. The breezy and beautiful young couple’s arrival in the City of the Angels provided an exercise in human leveling: allowing the world to see glitz and glamor through a different set of eyes.

Triskele: Celtic Trinity knot symbolizing the power of the feminine, returning to balance after extreme acts in an opposite direction

Milk Hill is not only the world’s most desirable (crop-circle-decorated, eco-friendly) location, but it happens to be the highest point in Wiltshire, at 968ft. That makes it almost a mountain! Its undulating outline is also home to the Alton Barnes White Horse (c. 1812) carved in chalk and lovingly maintained by the Wiltshire Crop Circle Study Group.

During one single intervening week — between crop circle phases 1 & 2 Honey Street Swords Suite (July 4 & 6) and 1 & 2 Milk Hill Trinity Knot (July 6 & 8), a whole world changed.

Suddenly, instead of a sound-asleep Great British news public reading tabloid media which pandered to its so-called ‘hunger for grime and crime’, ethics, dignity and a sense of honorable balance stepped on to the stage and wiped one of the main players off the boards. Integrity followed as multi-million dollar advertizing contracts were cancelled with its media umbrella ownership, and some of earth’s Meek (the divine feminine; believers in truth, kindness and gentle ways) felt a little giddy as they came up for air in a new atmosphere.

The White Horse of Milk Hill might well be seen as the milk white charger bearing the archetypal knight-in-shining-armor to the rescue of Humanity. Or, in Electric-Universe-speak:

The Milk-white Avenging Angel —Plasma Universe-style — bringing a message from the Milky Way

The Celtic gods –alongside archetypes from other ancient cultures– were smiling on the human race for a brief glimpse in time and sending their support in crop circle language for their avid interpreters to spread the word.

The Peruvian Portal
The opening image of this blog post features an enigmatic doorway carved into volcanic rock in the Stone Forest — a unique area of petrified shapes: people, spirits, gods, cities in stone — 35km from Puno, Peru. The local people [los Indios], descendants of the Inca, believe it to be a star portal or stargate through which one may travel — at certain times — to experience immortality. The doorway measures precisely seven metres high and seven metres wide, with a central aperture in the lower doorway just 2m high. In 1996 a local mountain guide rediscovered the doorway after it had been lost to modern eyes for 1500 years. He was overcome by its presence. He said: “It was like a revelation from God…”

Golden disc: key of the gods of the Seven Rays -- opens the Peruvian portal

“I have dreamed of such a construction repeatedly over the years, but in the dream the path to the door was paved with pink marble, and with pink marble statues lining either side of the path. In the dream, I also saw that the smaller door was open and there was a brilliant blue light coming from what looked like a shimmering tunnel within.”
Jose Luis Delgado Mamani

Inca legend describes it as the ‘gateway to the Land of the gods’ and that their greatest heroes in earliest times were chosen to walk through the portal to join their gods in a life of immortality. That, when the Spanish conquistadores arrived and began looting the Inca empire, Aramu Muru—also written Amaru Meru—a shaman/priest of the Incan temple of the Seven Rays, secretly escaped with the sacred Inca golden disc — the ‘Key of the Gods of the Seven Rays’ — and hid in the mountains of Hayu Marca. When he came upon the Portal, watched by its sacred shaman-protectors, he offered them the Key. The golden disc opened the portal for him to walk through.

There is a small disc-shaped aperture at the side of the human-scale opening which is said to be where the key might be placed if it is ever rediscovered. The Inca portal legend concludes with the prophecy that the stargate will one day open to ‘many times larger than its actual size… and allow the gods to return in their “sun ships”…’

Inca sun ships… Wiltshire crop circles calling on the sacred imagery of the Celts, avenging swords, the essence of Tarot divination, suggesting the power of the Mind and Imagination…

We are capable of dreaming our own future… if we choose to wake up, invoke mastery, practise self-discipline, and ask help from Nature — the gentle energy of Mother Earth. She is, after all, our genetic archetype: the divine Feminine in all her guises, our parent in the bewildering vastness of the Cosmos.

“…(if we sell you our land), you must keep it apart and sacred, as a place where Man can go to taste the wind that is sweetened by the meadow flowers. The earth is our Mother. What befalls the Earth befalls all the sons of the earth”
Chief Seattle to the American Government, 1854

This euphoric glimpse into Dreamtime may not last. The bad guys might still find other devious ways to control the populace… But for a few brief days in early July, we woke up. There was a buzz on the internet, on Twitter and on Facebook, that maybe there is a Heaven after all. And… more encouraging…that maybe we’re still capable — in our Imagination’s Dreamtime — of getting there.
©2011 Marian Youngblood

Jumping Dimensions: Crop Circle PHI-losophy 101

PHI, the Golden Mean seen as the Divine fractal or self-generating spiral of beauty

Since there no longer exist in this four-dimensional structure [space-time] any sections which represent ‘now’ objectively, the concepts of happening and becoming are not completely suspended, but complicated. It appears, therefore, more natural to think of physical reality as a four-dimensional existence, rather than, as hitherto, the evolution of a three dimensional one.
Albert Einstein

We think we understand dimensions. One – two – three, the above quote notwithstanding, we know our world: a pencil drawing, line on paper, are one and two. The paper itself makes it three and we’re drawing it NOW in this moment, so that makes it four. Four — the dimension of time, Einstein’s E=mc2— is where our everyday understanding of physics of our real world brings us in line with today’s brightest minds. Beyond that, our braincells need a little boost, an injection of fantasy, imagination, a mental grasshopper leap. That’s where we’re fortunate, because we’re getting a ‘little help from our friends’.

A little honey at Honey Street: PHI fractal crop circle of 08/08 at Stanton Bridge, Wiltshire

When the crop circle community stood poised, balancing on ballet points for what might materialize from those higher dimensions on the eight-gate, 8/8, our friends in high places sent us four! One at Spilsby Lincolnshire, a magnificent 500-footer at Pewsey White Horse, and a little honey, a miniscule delight in the form of a fractal at Honey Street, Wiltshire.

Large yin-yang solar flare August 7th sent CME to earth, photo Wouter Verhesen

The miniature (150-foot diameter) Honey Street design seemed like another warning that the sun was playing up — its fractal lying in yin-yang position did look remarkably like a solar flare which sent a coronal mass ejection (CME) earthwards the previous day, (SpaceWeather). But, for good measure, in case we didn’t get the message, a second mini-circle appeared simultaneously at Stanton St Bernard #2 which looks remarkably like a flaring sun, complete with solar prominence burst. Meanwhile, the irate farm manager at Pewsey White Horse, having warned visitors previously in the season that ‘trespassing’ would be dealt with severely, cut the massive formation out by noon the same day (YouTube video below). But the honey at Honey Street (Stanton St. Bernard #1) remains; is gorgeous, and while expressing multiple ideas, is a delightful feast for the eye. Brain food? Nothing too taxing (unlike the M4 coded images, further below); just a whimsical fairytale fractal (couched in CME format with wave-bending crescent) in a golden harvest field.

While over the previous fortnight earth’s deepest thinkers were pondering math ratios, alien language code and making themselves sick thinking life had sent them lemons, the Universe made us lemonade!

I feel compassion for some of the serious ponderers in Croppiedom. This season has not been easy for them. 2010 not only manifested mysticism, mathematics and dimensional momentum; it brought masses of ‘plankers‘ out of the woodwork. In conjunction with and as substitutes for what they like to call ‘anomalous’ crop circles (those formed in intense heat with ultrasound and cereal nodes bent by light, leaving vestiges of ‘angel hair’ — a pure silicon-hydrogen hallmark of UFOs aka white powder gold), the summer fields have been invaded by human designers, albeit talented, but mixing up the metaphor for us naïve believers in Ascension as a theme and confusing visitors flocking to the fields to find nirvana.

It may be this confusion which affected the Pewsey farm manager. It’s understandable: if he thinks — to quote my funny friend Fitzy — that ‘last night 100 students, studying macrame, snuck into a field and wove …leaving no evidence of their presence…’ and that they were just messing up his life for kicks, or for an art project, it’s not difficult to see why he accosted visitors and sent threatening messages, describing the work as ‘vandalism‘.

Silicon-hydrogen compound 'angel hair' found in light-created crop circles

But if he were to see his cut crop as light-enhanced, with added silicon nutrients incorporated in the grain which have health-giving properties, growth-rate boosts (and might fetch more on the market), then he might change his tune. But that supposition for another year, now. The formation has been cut.

'Anomalous' formation on top of Whitefield Hill, Woodsend, Wiltshire August 3rd showed vestiges of 'angel hair'

Not before it was thoroughly documented, though, with superb aerial photography by Matthew Williams and Pierre Beake, and while only a few pedesterians got a close-up of this 500-foot spectacle, its dimensions and message will be studied in depth long after its vestigial imprint has gone. It’s interesting to speculate that its purity of design and impact on spectators may indicate that it, too, was an ‘anomalous’ creation similar to the ‘egg-slicer’ formation of August 3rd on top of Whitefield Hill, Woodsend next to the radio transmitter. Whitefield showed evidence of light-induced elongated stalk nodes on atypical straight stems in the flattened crop, along with a residue of angel hair or ‘white powder gold’. For more detail on this silicon-hydrogen compound and its qualities, see the p.p.s on my last blog.

Gerald Hawkins, great decoder of Stonehenge and subsequent devoté of sacred geometry and diatonic musical ratios (Egyptian ‘frozen music’), wrote before he died in 2003:

If crop circles are made by hoaxers, then they should stop doing it, because they are breaking the law and damaging the food supply. If they are made by UFO aliens, they shouldn’t give us the dates of our trips to Mars and names of men from the Titanic era – famous, clever, but now forgotten. If some are transcendental, the power behind it should realize that our culture is now willing to accept transcendental happenings. If they are indeed transcendental, then society will have to make a big adjustment in the years ahead.

Through a language that’s possible for most of us to understand the crop circles, with apparent ease, carry trains of thought over thousands of years that are both transformative and liberating. The Egyptian/Sumerian priesthood did it — spared no effort in using every available surface to proclaim the existence of another dimension (their ‘after’- or future- life), so the people might understand. Now, millennia later, we so-called evolved mortals are being given similar instruction — a picture language with recurring specific symbols — from our ‘priesthood of light’, our own consciousness from a higher dimension. It is no coincidence that the Horton Friday-the-13th finale of the 2010 Wiltshire season has blatant Egyptian symbolism.

We are being shown a series of objects which exist in a higher dimension, so that our vision and perception may become clearer. Each summer, via an ephemeral canvas of wheat, barley and maize, we’re being taught telepathically: and each year-end we’ve learned more than we knew before. Light orbs (clearly from a dimension we haven’t yet got the hang of) are now so frequently witnessed, documented, and (almost) accepted as a tool of the Circlemakers, that we are having to concede our prosaic 3/4-dimensional world is a little out of date. The sensation of bliss experienced by many within light-orb-inscribed formations is not imaginary. Human bonding, spontaneous group meditations and effortless harmony with others seem to occur naturally within these creations. The Circlemakers are professors not only of beauty and precision, but sacred geometry, history, mathematics, arcane tradition and philosophy, spiritual discipline, bliss and joy!

Dan Winter, author of Phi Physics in a Nutshell, says

DNA is the seed crystal of the higher dimensional Lightbody
DNA, a perfect Phi-structured crystal connecting long waves and short waves, is a three-dimensional pattern designed to transmit information, in the form of a living being, through time and space, the fourth dimension. Its goal seems to be to create a fifth-dimensional intelligence, one capable of phase-locking with the information of the Universe stored in its crystaline coding within its DNA geometry.

Geometry is the basic creation of symmetry, says Winter. This is where the Phi-wave or the perfect spiral, Golden Mean fractal, Nature’s perfect natural growth pattern, comes in. ‘Any symmetrical structure creates a place where meeting waves, those traveling in opposite directions, can stand, that is, can phase and phase-lock.’ Standing waves give the illusion of solidity, which is the ‘segregation of momentum that makes possible the birth of matter.’

He explains why the Golden Mean spiral is Nature’s ideal ‘nest’ for converging waves:

‘In the world of waves, only the donut, (the torus or vortex), and the golden mean spiral can become coherent — hold their shape — like a smoke ring. As more of these smoke rings are created and they want to relate to the first smoke ring, they must ‘nest’ in the right pattern so that they can remember their form and still share structure. The best pathway for doing this is the ratio we call the golden mean. Only in this shape can waves nest together without interfering with each other and cancelling out their memories.’

A Phi spiral can nest triangles, squares and five-sided figures (pentagons), creating a dodecahedron as it goes. The dodecahedron (12-sided shape) is the perfect Golden Mean nest for turning information/waves into coherent structure. ‘That’s why it’s also the pattern of the braided DNA molecule,’ Winter concludes.

Julia Set fractal at Stonehenge July 1996, beloved of mathematicians, marine biologists and musicians

So our DNA, constantly evolving and upgrading through an enhancing light spectrum — with the help of sunlight and electromagnetic energy from the higher dimension — is lifting our four-dimensional world bodily towards the fifth: dimension of our lightbody.

Countless crop circles over the years have depicted the fractal. Perhaps most famous of all was the ‘Julia Set’ Stonehenge formation of July 7, 1996 whose pristine curve appeared in broad daylight at teatime after torrential rain the previous night. Its ‘comforting’ shape to mathematicians represents a complex computer-generated fractal image; to musicians the bass clef, and to marine biologists the cross-section of a nautilus shell.

E = mc2
Matter is just a lot of energy moving so slowly that we can touch it and sit on it. Energy is just a little bit of matter moving so fast we have trouble finding it: simply put, they’re polarities of the same substance, which is flowing and moving at different rates constantly through the Universe.

But there’s an even bigger idea for this 101 dissertation in our Dimensional PHI-losophy class:

Perfect symmetrical geometric shapes contain, ‘nest’ or embody energy. So, by focusing our ‘intent’, (heightened with love, desire, feeling, emotion, belief and will) we can make things happen — ‘create matter’. That’s why New Age philosophy, esoteric disciplines and native American ancestral wisdom describe us as the ‘Creator’.

‘Where attention goes energy flows‘.

New Age and ancient teaching of the Mystery Schools,
multi-platform

There’s one aspect we still don’t quite understand, but it’s worth keeping all the balls in the air.

The connection to sound — ultrasound, music in any form as inspiration and its creative ability as a ‘wave-particle’ — cannot be overlooked. Gerald Hawkins was fascinated by the diatonic scale — another fractal, or ‘perfect’ progression of the familiar octave on the piano, bassoon, saxophone, guitar. Notably he and Paul Vigay corresponded on its unique function in crop circles before both died. They found not only that crop circle images converted into sound through special computer software produced meditation-inducing alpha waves; but that the reverse hypothesis was true — that ultrasound is a factor in producing images in the corn.

Solstitial Phi formula in Vale of Pewsey lies immediately below the Heart chakra - the (Sanskrit) wheel that directs life

Earlier this season we were gifted another stunning coded triangular motif in the Vale of Pewsey on Solstice, which turned out to be an ASCII rendition of 1.61803399, the golden ratio = ϕ Phi. It is clearly a formula close to ET’s heart! I still believe that it, like the coded canola musical box disc in the May 22nd Wilton formation, if played through Vigay’s software, would produce sound in the alpha range. We shall have to wait for Paul’s lightbody to arise and return.

Meanwhile a great deal of speculation surrounded the double appearance on either side of the M4 motorway at exit 14 to Hungerford on July 30th. Decoding the dual image has so far proved inconclusive, but when combined, the formations revealed a face overlaid on 16 lines or ‘strings’. Musicians, Lotus Ocean are overjoyed that their guitarist/avatar PT’s face appeared embedded in twin pixels flanking the M4, his daily route to play ritual music in crop circles. Their idea is not totally far-fetched. There are 16 petals in the divine lotus — a symbol of Ascension — and music, specifically ultrasound, has been found to produce waves of rapture in electromagnetic forms by Vigay, Hawkins and others (humans and wheatfields being similarly influenced by alpha waves). PT (Prashant Trivedi) is a string musician deeply entrenched in Vedic ritual and symbolism. Following his ritual AUM (OM) incantation within the ‘Druids cave’ near East Field, Alton Priors in 2007, the massive 2.25-acre OM crop circle of 7/7/7 appeared.

Sound is, after all, another form of energy in the electromagnetic stream that we all share in this amazing new world of heightened perception.

Are we willing to go for it: will we pass the exam, graduate from Dimensional PHI-losophy 101?

Our goal is fifth-dimensional awareness, a state already reached by many during meditation. It can be described as our ability to see all space and time, energy and matter, as components of one original wave form. This bliss state can, according to Winter, ‘bend light into a circle of self-awareness’. It creates a rich ultraviolet/blue explosion of energy that accompanies the Merkabah rise of Kundalini, Winter’s phase-lock of biological energies into the flow of the universal information energy stream. This enfolded love-state creates enlightenment, a state where the awareness of the universal mind meets itself at every wave junction.

The more we meditate, project from a state of love, feel gratitude, the closer we come to permanent nirvana.

Howzat for lateral thinking.