Sychronicity of Mind : Miracle in Manifestation

Conduit Closing… 2012

Unprecedented, in a tight corner of one of the last fields to be harvested in 2012, Windmill Hill crop formation of October 14th came in answer to a group prayer; image courtesy CropCircleconnector.com

Few followers of the crop circle phenomenon would expect anything dramatic to appear in English fields in mid October. Technically, the season is over. Now is the time when Wiltshire’s canal-side pubs have rescued their outdoor chairs and tables from the drenching rain and put up shutters for another year. And yet at some deep level one can venture to describe as ‘beyond our ken’, there have been other forces at work. Several ‘croppies’ hoped for just one more image to satisfy their craving, to confirm their belief that there was something still to come and, remarkably another ‘final’ design of the season—the ‘conduit closing’ message of 2012—appeared overnight October 14th next to neolithic sacred site Windmill Hill, above.

Located at one of Wiltshire’s favored hotspots, more significantly the new design was ‘anticipated’, at least by a small group of devotees, praying to have their belief confirmed by an answer in the corn.

rt: the ‘visualization’ September 11th, courtesy M.Etchepare, left: Windmill Hill CC October 14th, 2012, courtesy ET

This is not the first time crop circle enthusiasts have ‘wished for’ a design and one appeared. In the 1990s there were several instances of preemptive visualization, not least of these being the Mandelbrot Set crop formation of August 11, 1991, documented in full by Joseph Mason. Throughout that decade Freddie Silva expounded his theory that all crop circles were produced by ultrasound. Another visionary of the 1990s crop circle resurgence, Paul Vigay (1964-2009) corresponded with former Stonehenge decoder Gerald S. Hawkins, and they both agreed that sacred sound had a significant place in the creation of such ephemeral appearances. Hawkins had then recently succeeded in decyphering the Milk Hill script sent by the circlemakers in answer to his colleagues’ demand: “Talk to us” in 1991.

Vigay’s work with Hawkins led to a previously obscure relationship between sacred geometry and intervals on the music scale noticed by the ancient Egyptians: their ‘frozen music’, below. To Vigay it was a natural progression to make recordings of pixel images of crop circles which he played through a computer program, converting pixels to sound. He discovered the resulting music had a quality conducive to meditation, relaxation and deep contentment: essentially sounds in the ‘alpha’ wave band.

Dendera Zodiac in the ancient temple of Hathor, Dendera/Lunet Luxor Egypt

Many indigenous and antique civilizations had knowledge that sound could affect matter: or that certain sound frequencies are light-resonant. This information held by the priesthoods of various religions and cultures was known as Sacred Sound or the ‘Lost Chord’. See our earlier research on the healing chambers within certain pyramids which were ‘wired for sound’.

These sacred sounds form a predetermined scale of octaves.The human voice, when suitably reverent, is also one of those tones which can affect its surroundings. One has only to hear a child being lulled to sleep by a mother’s comforting song to know that such frequencies break down barriers, cross into unseen worlds.

In the Beginning was the Word
In the late nineties, before they both died, Gerald Hawkins and Paul Vigay agreed that crop circle designs manifested precisely according to Hawkins’s theory based on four principles found in Euclidean/sacred geometry, that:

“… theorem involves concentric circles each touching the sides of a triangle, and as the triangle changes shape, it generates special crop-circle geometries”

He developed a fifth crop-circle theorem elaborating on the triangle, finding that if several concentric circles touched at the triangle’s sides and corners, different triangles gave different sets of circles. He was astonished to find that the ratios within triangles, circles and other geometric configurations equated sacred design used by the ancient Egyptians— and that they likened geometry to ‘frozen music’.

An equilateral triangle produces one of the observed crop-circle patterns; three isoceles triangles generate the other crop-circle geometries. What is most surprising is that all geometries give diatonic—musical—ratios. Before us, only the Egyptians linked geometric theorems with music.
Dr. Gerald S. Hawkins

In the crop circle community the paranormal has never been the only attraction for circlewatchers. There are those who doubt, but many more believe that electromagnetic, sonar and solar powers are at work. In the 2012 season of many pitfalls—despite angry removal of designs by harassed farmers, long periods of rain, a dominant theme has nevertheless penetrated the cropwatcher psyche—that transmission via ancient serpent earth-energy is alive and wishing to communicate with those earth-dwellers willing to believe such communication possible.

Gerald Hawkins believed it, his team decyphering the 1991 Milk Hill glyph found it read both ways: left-to-right and right-to-left:

Oppono-Astos = I oppose acts of cunning (deception)
and OII-OCCULUI-II-NUNC-IIO = I am hidden for now

The Background:

Hackpen Hill, August 26th: remarkably perfect crop design on the edge of the Marlborough Downs, where the ancient Ridgeway skirts the sacred energy center … many experienced lift-off within the circle

For those passionate crop circle followers who lovingly noted each bent node or whisker of a central tuft since the wet season of 2012 began, the prehistoric sacred triangle centered on Avebury—radiating northwest to Windmill Hill, east to Marlborough and south-south-east via the ancient Ridgeway, Silbury, West Kennet and the Sanctuary to Woodborough Hill—has manifested miracles. The ancient energy which drew neolithic farmers from their precious labor to erect sacred stones in respect for its potency, was the same electromagnetic force recognized by current researchers as being instrumental in producing crop formations.

Avebury heartland is simultaneously neolithic stone circle heaven, and twenty-first century crop circle hub. And it looked as if the sacredness was beginning to rub off.

“The crop circles have become signs and portents of our time. They function as huge Rorschach tests writ large in the fields of southern England, deciphered according to the belief of those who view the phenomenon”
John Lundberg, circlemaker

Stories like the Hawkins group-decyphering abound within cropcircle internet groups and their Wiltshire colleagues, the on-the-ground experts who watch each year and share interpretations.

In late August, after a dreary year of rain-drenched crops, with anxious farmers cutting fields as soon as standing grain was dry enough to drive a combine through, several crop designs came and went overnight. The build-up of croppie anticipation was dashed in several instances of crop circles being cut out before visitors could set foot in fragile fields. In many instances, solitary aerial photographs were a boon to those making the journey on foot, only to find a formation had vanished. Many felt disappointment, experienced no clearcut finale , as in previous seasons.

As the season lengthened into fall, and September 11th drew on to equinox—many Maya-inspired followers were anticipating a series of consecutive energy portals described vividly by Maya scholar Miguel Etchepare, featured in our last blog, A small intrepid group-within-a-group sensing a need for closure and an energy-doorway offering an opportunity, synchronously envisaged asking for another design to appear. If a communal prayer went up, perhaps the spirit of the corn might hear and send a reply.

The Visualization:
Hesitant amateurs at first, the ‘experiment’ couldn’t decide on what to visualize: the last CC had been the stunning August 26th hypercube, above: an exquisitely executed UFO-launch pad at Hackpen Hill. Yet the dominant theme of previous months had been the ‘tadpoles’, dragon-energy, the voice of Mother Earth-serpent before she settled on her sacred nest. The Maya Tzolkin portal presented ten consecutive days full of serpent energy; intense discussion followed via various threads, and design suggestions came forward. The inspiration percolated.

Our ancestors would have been proud of us: a twenty-first century group of predominantly western first-world types who didn’t really believe in folk magic; didn’t really think they could do something so connected to the Group Mind. But Brazilian astronomer Etchepare suggested, instead of a multitude of wishful-thinking-dreamscape-ideas—which could dissipate group energy—a simple stylized serpent head/upheld curved angel wings, above right, the die was cast. The graphic was posted on Facebook, people got on with their lives; but subliminally, we must all have waited and wondered…

Avebury’s culmination of serpentine energy, August 1st 2012, pointing to December 21st alignment at dawn when Mercury, Venus and Mars rise with Saturn before the Sun
consummate interpretation courtesy Miguel Etchepare

Meanwhile Miguel, spurred on by the Tzolkin portal, was simultaneously being given divine inspiration to interpret the remarkable Lammas serpentine appearance which nestled at Avebury, August 1st. See his remarkable video, below, one of an interpretive series, linking the serpents within the neolithic amphitheatre of Avebury, Woodborough, Picked Hill to the rising of the Serpent—constellation Serpens, held by Ophiuchus—alongside planets Saturn, Mars, Mercury and Venus as a prelude to dawn on December 21st, 2012.

No wonder our prayer in sound had potency. All the energy was there. Croppies believed! As individuals focused in their own way—but on an energetic level presenting a communal tone—voiced or unvoiced—the ‘intent’, ‘request’, belief for a final glyph to appear, was sent aloft: not perhaps on the same physical level as the SETI or Arecibo transmissions of the 1970s-1990s, but, intuitively, prayerfully, with focused intent from the Group Mind to the energy matrix ‘out there’.

The Prayer:
As we all know, the sound of a loved one’s voice, or a prayer released in earnest petition, can hold a vibration similar to music. From Gregorian chant to cathedral choir to rock and roll, music creates its own sacred vibration. The original utterance made by God in all Hebrew, Aramaic, Arab and Vedic tradition was the ‘Word’: a sound issuing through the airwaves. Regardless of how one interprets it, a sound by a dedicated—however small—group of humanity issued during September 11th weekend rose into the creative matrix to swirl with other sounds among the stars.

A strictly ordered system of mathematical progressions is necessary to create the smallest speck of matter from the primeval matrix of space. This mathematical fractal progression utilizes the mathematical equation relating to three Sacred Sounds
Φ PHI = 7/5 PI/e*
Bruce L. Cathie, The Energy Grid—Lost Science, 1997

*Φ PHI – the ratio that controls the formation of life
π PI – the ratio that controls the formation of circles
e – the ratio that control the formation of logarithmic spirals

Prayer answered?
It would seem the prayer invoked an answer—perhaps more than one. The Tzolkin portal seemed to act like a live ‘conduit’ between the Oversoul, the Group Mind and the fields. The ‘galactic activation’ windows, September 11-21, which sliced through equinox blues and inspired Etchepare’s Soothing Serpents series on YouTube, suddenly on new moon weekend, October 13th, produced a new formation—magically—in Miguel’s home country of Brazil. If that were not proof enough, immediately on its heels came a second—final—design on British soil: the much-anticipated curving motif of October 14th at Windmill Hill, top. Even the most skeptic among us can see it bears resemblance to the ‘prayer’ motif, second top.

We were told in Chilbolton 2002, that there is good out there; that we should believe.

Among crop circle believers—marginalized at the best of times—there now exists a warm fuzzy feeling: an answer did come: there is good out there.

‘Conduit closing’ for 2012. *Bell sound*
©2012 Siderealview

Learning to use the Hyperdrive

On the Severn: July 18th Woolaston design of merging particle resonance speaks to the third eye

It isn’t easy — you know, like falling off a log — this new learning curve, but it is helping us to remember who we are. The Intelligence of our higher selves – the essence of the Universe which is willing us on through pictures in the corn, daily synchronicities, new people coming into our lives. It wants us to make this leap. This Change.

Nobody said it would be easy. But hey, it’s already worth the effort. There are several new sources encouraging us to think like spiritual beings in human bodies. Instead of — traditionally — the other way around. Since spring we’ve been treated to some revolutionary new thinking. Inkeeping with the concept that the Calendar of the Maya tells us of our speeding-up as time coalesces, groundbreaking ideas are coming through thick and fast to help us learn new mechanisms: teaching us how to work this quantum hyperdrive.

While branded a 'fake', this recent crop circle at Milk Hill nevertheless inspired human bonding

At one end of the spectrum of wayshowers is Dan Winter with his exquisite explanation of how ‘everything is fractal‘ and we better get with the program (of ‘right living’) soon, if we want to survive. At the other, Kiesha Crowther, ‘Little Grandmother’, is less urgent but nonetheless firm that 2010 is the year we’re supposed to ‘get it’: it’s time now for us to tune into Nature and remember more heart-resonant ways of being.

How a Torus looks in 2D

2010 is the year, according to the old grandfathers of indigenous American tribes, we’re supposed to ‘get it’. This summer, whether we like it or not, whether we’re ready of not, here it comes.

Everything an Indian does is in a circle, and that is because
the power of the world always works in circles, and
everything tries to be round.
Black Elk (1863 -1950)

It is perhaps this simple feeling of appreciating the earth and her bounty — of remembering how precious is our ancient land — that the crop circle phenomenon is increasingly kindling in our human breast. But there’s a lot more.

Bishopstone, Bucks: centre of the circle, July 21 2010

Last week, following a series of striking multi-dimensional optical designs — culminating in the Fosbury ‘hypercube’ — there was a brief hiatus in crop circle creation, while we gathered our wits, collectively shared ideas and inspiration and quite literally drew breath. The cubes featured in last week’s blog were too stunning, too beyond our normal vision not to be taken seriously. And they provoked much thoughtful discussion. Yes, a couple of simple circles hit the fields — in Buckinghamshire and Gloucestershire, the ‘home counties’ of England, approximately where the world expects the phenomenon to occur. But there were some big surprises. North, West and South Yorkshire aren’t usual haunts for crop designs. Yet, this year, there they were: July fields decked with grandeur at Castle Hill Huddersfield, Sutton Bank, Brighouse West Yorkshire and Westworth Castle South Yorkshire.

It’s possible that CC-consciousness is preparing itself to use more northerly fields for the rest of the season; England’s been rather hot, you see. The northern world is going through a climate hike and the CCs may have to find alternate accommodation for the rest of the summer, rather than accustomed locations in Wiltshire and the home counties.

There they’ve already started the harvest.

Getting combine harvesters out of their sheds in mid-July is early. It’s even quite rare. Not a single CC appearance at Avebury* yet this year and they’re already harvesting the crops.

Oooo, croppiedom sighs; where to next? What will the light source utilize?

It’s not as if England has been inundated with crop designs in July, (though Germany and Holland received four each within the same time period). They’ve certainly kept us on our tiptoes waiting. So it’s interesting that three days after a new circle in Gloucestershire (illustration top), the sacred landscape blessed us with another discovery — not croppiewise, but a reminder of how important our sacred heritage is.

A neolithic wooden posted henge was discovered off the A344, within half a mile (3000 feet) of Stonehenge. The discovery came within days of a similar discovery in an ongoing archaeoastronomical project by a team from Wright State University in Dayton, Ohio working on an almost identical woodhenge found at Moorhead, near Cincinnati. Both wooden circles appear intentionally aligned to the exact position of solstitial sunrise on the morning of June 21st.

At dawn on June solstice the sun rises over Stonehenge's heelstone to shine through rings of stone 'doorways' into the central altar stone, photo courtesy National Geographic

The woodhenge at Stonehenge and the Moorhead circle have identical ‘openings’ where the rising sun could be seen to shine through a manmade gateway into the centre of the circle of wooden posts. At Stonehenge itself, dawn on June 21st is celebrated as the sun appears to rise over Stonehenge’s heelstone to shine through successive concentric ringed stone ‘doorways’ into the central altar stone. It penetrates Welsh bluestones, native trilithons and a carefully-arranged Sarcen stone circle to find this central space. So, it seems, did builders of woodhenges wish to see their manmade doorways usher in the solstitial sun. There are several woodhenges in Britain, not just in Wiltshire — at opposite ends of the country, in fact — one between Lands End and the Isles of Scilly, another in the waters off Norfolk and a third in the waters off Rattray Head, Aberdeenshire, to name but a few. Earlier researchers thought they were built as precursors to stone circles — testing the waters, if you like — but this new discovery is extremely detailed, showing two ‘celestial entrances’, an indicator of our ancestors’ supreme astronomical knowledge. So it’s back to the drawing board for the prehistorians.

Nevertheless, for 2010 Man watching such appearances as if on cue, our ancestral past again got our attention. The new woodhenge lies on a direct line between Stonehenge and Warminster, in the thick of well-known electromagnetic energy lines and crop circle ‘heaven’. It is worth remembering that the Wallbury serpent formation of June 12th this year was laid so that the serpent’s head directly faced June solstice sunrise.

The public began to see Wiltshire — and our sacred landscape — with new eyes. The national news even picked up the story and offered us a kindly look into our ancestral heritage, to a time when marking the land with pointers towards the sun and moon, distilling what was happening in the heavens around us, was commonplace, sacred, necessary. This little neolithic happening filled the gap for us in a week lacking in other significant crop circle news.

Then, with a sigh of relief, a new crop circle was greeted on July 25th at Wiltshire’s prehistoric Roundway.

Fourth dimensional sphere/Torus with interlocking Greek key/Maya pattern at Roundway, Wiltshire July 25th

Following on my last blog on consciousness (& CCs), I was blessed with some illuminating and thought-provoking commentary (thanks, guys). Because of hyperdimensional CCs, we humans broke through some new dimensions ourselves and we jointly felt the next progression for a crop design might be the circle. That is, if our minds had already accepted the move triangle > pyramid > tetrahedron and we have been shown the square > cube > tesseract, then we should be able to visualize circle > sphere > torus. I would like to quote New Zealander Fitzy, as his allegory for the Torus is erudite:

Stanford Torus, a 1970s' view of the 21st century

We could see this as an intact form, differences in texture, colour, and area would all be obvious to us and they would blend into each other in a natural way. A Human would be a mixture of internal and external surfaces, alive and whole, and quite unlike how we see ourselves. Inside and Outside may have no significant meaning there.

Then on July 26th, an imprint appeared in East Field, Alton Barnes which had decipherers all clamoring to translate its ‘Hebraic’ script. It is reminiscent of an August 1991 script which appeared in the neighboring field at Alton Barnes (Milk Hill farm). It, too, had crop circle experts worldwide pooling their linguistic resources. At the time, Gerald Hawkins was alive and, as a skilled mathematician and logician with a head for numbers and letters, he deciphered the Milk Hill script as saying something like ‘oppose deceit’. If this new message refers to the present design at neighbouring Milk Hill, which appeared one day earlier (near the location of the 1991 design) and has been denounced as being ‘tampered with’, one awaits further translation with bated breath.

East Field, Alton Barnes July 26th. Compare this 'Hebraic' inscription with the August 1991 Milk Hill script

Hawkins used no specific human language, but as a mathematician, analyst and astronomer, accustomed to decoding obscure messages (he was, after all, original ‘decoder’ of Stonehenge — Stonehenge Decoded Doubleday, 1965) — he quickly noted repeat letters and, while his result was a Latin translation, it made sense. Others also translated the script with varying degrees of success. No confirmation has ever come through from ET on who was right. In addition to an elusive script, the 2010 East Field design incorporates what looks like a star map to a region of the heavens called the Tarantula nebula, 180,000 light years away in the Greater Magellanic Cloud. The star cluster is framed within a double-bladed axe in the formation’s centre. The Tarantula nebula — in constellation Dorado — also shines from a background of stardust clustered in this ancient shape: the double-bladed axe — ancient Assyrian Labrys, from which the Greek borrowed the word labyrinth — was one of Man’s oldest sacred tools.

Torus or inside-out tennis ball: Westbury design similar to its fellow of the previous day at Alton Barnes

Significantly the East Field inscription and axe blade is set within a torus — or a rendition of a splayed circle — which is comparable with another design that appeared one day later, July 27th, at Beggar’s Knoll, Westbury. This time there is no inscription, no axehead, but the torus appears to show several layers of circular perception or a dimension within a dimension.

Of interest to those of us following this progression, and because we’ve had much open discussion with ideas flowing on the most optical-illusory designs and those displaying ‘other’ dimensions, it calls to mind Bradley York Bartholomew‘s 2005 thoughts on Robert Boerman who, like Hawkins, decoded the 1991 script. Bartholomew quotes Boerman as giving meaning to another crop design — a double-helix, also at East Field, Alton Barnes in 1996 — which said essentially ‘there is divine intelligence within our DNA and that Intelligence is the Creator of Life’. +Bartholomew expanded on Boerman’s work and went as far as to say that the (divine) electomagnetic force within DNA connects to the electromagnetic force of the Earth and beyond. So that, in his words:

‘It is the force in the DNA that has put the message directly into the mind of the person attempting to interpret the crop circle. Whatever the message may be, there has been direct communication between the Circlemaker and the observer, because the same force that has created the circle can determine how it is interpreted. The Circlemaker is the networked intelligence that is in the DNA of us all.’

In addition, during discussion and commentary in last week’s blog on what we might ‘suggest’ to the circlemakers as a progression we wanted them to produce, Fitzy suggested the Torus and I said it was reminiscent of an incident in Lifetide (1979) by Lyall Watson where he witnessed a little five-year old Polynesian girl turn a tennis ball inside out with her mind, simply because she believed she could.

Judging by the ‘torus’/inside-out tennis ball appearances this week at East Field, Alton Barnes and at Beggar’s Knoll, Westbury, our DNA has certainly been communicating!

Our hyperdrive may be taking baby steps, but we’re getting there.

Tarantula nebula in southern constellation Dorado

If the circlemakers are showing us where they come from, we’ll certainly need our hyperdrive to reach them. The southern constellation Dorado is 180,000 light years distant.

East Field #1 star cluster on double axehead: Minoan & Assyrian 'labrys' double-axe symbolized power in the ancient world

Despite a flurry of bogus crop formations (East Field #2, July 29th, has been ‘tampered with’ but still shows authentic elements), none of us can deny that we are being shown a sequence, our braincells are being given a genuine shakedown and we are being encouraged to inject knowledge of our most ancient traditions (labrys was a female symbol of power in Minoan Crete and Turkish Anatolia 2000BC) into our present human consciousness, triggered by jolts from the future (symbols in the corn). If we lay aside human conflict, rivalry, ego, our minds are capable of much more — of reaching into other dimensions. They, it seems, are reaching out from those dimensions to us. It would be churlish, if not childish, of us not to accept their helping hand.

Postscriptum #1: On July 30th two crop designs of multi-dimensional communication appeared on either side of the M4 motorway at Wickham, Berkshire. On first glance they are reflections of each other, mirror images of a face (likened by some to Christ), but both use the format of the ancient oriental Abacus or counting board (number) to display what may turn out to be another ASCII code (numbers > letters) message, like the Wilton Windmill earlier in the season. Musical notation cannot be ruled out either because, like Hawkins’ sacred geometry (ancient Egypt’s ‘frozen music‘), they do look rather like guitar tabs for a 16-string instrument (!) or notes overlaid on two octaves. However we manage to interpret the code, as a complex multiple communiqué it will have our worldly braincells churning for the next few days at least!

p.p.s #2. +Bartholomew had a great deal more to say on ‘white powder gold’, a pure silicon-hydrogen compound found deposited in some crop circles, where ball lightning hits, in the resin of trees felled during the Tunguska Event in Russia in 1908 and where anomalous balls of light have been present. Time will tell whether white powder gold will become our next test substance for authenticity in crop circles. More intriguing, however, is the fact that Bartholomew says when ingested, white powder gold acts as a superconductor with a frequency tuned to the resonance of our DNA. It is capable of healing and has life-enhancing capabilities. That is, it can produce high levels of increased ‘joy’ or a permanent state of bliss.

More fodder for another blog!

*The Avebury-Trusloe appearance at Windmill Hill is being branded as fake (man-made) and witnesses to East Field #2 saw ‘plankers’, but also ‘balls of light’. Jury still out on that one.

Crop Circle Season: an early bird?

Weeks before swallows return, we may see an early start to crop circle season

I believe the 2010 Crop Circle Season is imminent. I don’t mean this July. Much sooner. Possibly even next week.

I made a few notes on dates previous seasons began – even after atrocious winters – thinking I had at least another week before I needed to post this, another week of research and doublechecking the facts. But, in going over it again, I realize Crop Circle Consciousness is upping the ante.

H2O molecule or octohedron, West Overton June 1999

A decade ago the first crop designs in Wiltshire and Hampshire appeared when barley and wheat were beginning to show signs of ripening at the end of May and the first week of June. Similarly, in the early years of the 1990s’ decade, seasons began May-June. But as the decade got older, consciousness quickened and seasonal appearances started happening earlier. By the last year of the ‘nineties, 1999, the first crop circle appeared in Over Wallop Hampshire on April 3rd! In the early ‘noughties, up to and including 2006, the season didn’t begin until well into May or even June (2003-2004) in ripening barley and wheat. Then, bang, as if the last years of the decade again brought anticipation and focused interest on the phenomenon, the season started earlier: 2007: April 15th at Oliver’s Castle, Wiltshire; 2008: April 20th Waden Hill, Avebury. Last year, the first crop circle appeared in oil seed rape – not yet in flower – on April 14th at the Ridgeway.

April 14th is less than a week away. And there are already a number of fields planted in oil seed rape (canola) in Wiltshire, Oxfordshire and Hampshire.

Picked Hill, Wiltshire August 2000 'flower of life' crop circle

This year April 14th is also Vedic New Year: Vikridhi; the name itself occurs only once in 60 years. A week later, it’s Earth Day (Arbor Day), a northern hemisphere date chosen to celebrate the birth of naturalist John Muir, but more recently absorbed into the Earth-First culture of organic growers, tree-lovers and tree-huggers everywhere and, naturally by analogy, those who celebrate the earth’s crowning glory in crop form: the Croppies.

We all know the crop circle phenomenon has been getting more notice of late: worldwide attention, in fact. On the internet alone, it features in websites as diverse as ρѕу¢нє∂єℓι¢ α∂νєитυяє run by supreme techwiz ‘CO’, to the photographic marvels of Karen and Steve Alexander to the ultimate in documentary archives, the Dutch-run multi-lingual Crop Circle Archive which seems to have catalogued every crop pattern in every country since the beginning of Creation!

Then there are the more philosophical and ‘mystery school’ sites like Freddy Silva’s Crop Circle Secrets, Krsanna Duran’s Timestar and Paul Vigay’s leading-edge research site, Crop Circle Research.

Given that in all self-realized culture, ‘consciousness equals reality’, we’re speaking about a large slice of humanity who follow such blogs and website updates; a large group of people whose consciousness is willing the new season to begin.

CO runs an international blog, unfunded by donations, a labor of love. He’s very good at what he does, his blog-traffic is astounding (one hit every five seconds) and he has a distinctly Vedic following. The Alexanders, Cropcircleconnector and Lucy Pringle, on the other hand, are a little more conservative, receive handouts with solid Brit, or WASP, backing (Americanese for White Anglo-Saxon Protestant), and have a slightly more ‘English’ approach to the subject. You are encouraged to buy a T-shirt or log on and read a plea for financial support before you can be routed to the goodies. The Dutch archive site offers a diagram catalogue of every crop circle, is volunteer-funded, but its attitude is open and its following represents perhaps half the First World. I like to think of CO’s following in the Indian Subcontinent as the Second World. The Third World is, so far, unrepresented.

So, give or take a few million, let’s say half the world is anticipating the new crop circle season. Not consciously, perhaps, but after a hard winter with only images in one’s mind or on one’s computer to feed off, it is hungry for a new influx. The future is wide open: will it show more mathematical code, more Mandelbrot sets, develop wild sacred geometry, or will it take the form of a Fibonacci spiral’s striking beauty? Or, or. . . will we of human culture stretch our superhuman electromagnetic circuitry and present ourselves with something we’ve never conceived before?

‘You mean, crop circles are rock ‘n’ roll?’ Julian Cope

Before he died, Paul Vigay wrote of his amazing work in crop circles. It ranged from simple on-the-ground measuring data and observation of cell-structure change in wheat, through correspondence with Gerald Hawkins on sacred geometric design, through illuminating discoveries in ultrasound. His work with Hawkins led to a previously obscure relationship between sacred geometry and intervals on the music scale noticed by the ancient Egyptians: something they likened to ‘frozen music’. It seemed to him a natural progression that he should later make recordings of pixel images of crop circles played through a computer program which converted pixels to sound, and discovered that the resulting music had a quality conducive to meditation, relaxation and deep contentment: essentially sounds in the ‘alpha wave’ band. He said:

Inspired by the work of Gerald Hawkins and our conversations on musical theory, I felt there was an important link between music and crop circles. Combining the two, I developed some computer software that could convert crop circle images into musical notes to see what ‘tunes’ were composed by them.

He recorded several soundtracks from different crop formations which can be downloaded from his website – maintained lovingly since his death. It did not surprise him that others ‘heard’ music while walking or kneeling or sitting inside crop circles which had been recently formed.

There are also a number of ‘coded’ messages which have been received and transliterated over the years. The Chilbolton radio telescope message is only one of many. I would recommend for code-lovers the lengthy study made by Robert Boerman in 2001 after an attempt to communicate with the circle-makers elicited a ‘reply’. This early documentary evidence was one of Hawkins’ favorites and its interpretations are fully discussed on the Dutch Crop Circle Archive.

Mandelbrot set visual in fractal geometry

I mentioned the chaos theory aspect of mathematics represented by the Mandelbrot set. It’s a complicated concept, even for a mathematician, discovered by French-American ‘father of fractal geometry’ Benoît Mandelbrot, aged 85, and still theorizing! Joseph Mason, a student of human consciousness (dream-sequences, results of concentrated intentional motivation), chose to experience learning its potential by his own method of study: concentrating by day, dreaming by night – and noting down his own responses, intuitive actions, human motivation.

Mandelbrot crop circle formation appeared after his dreams

As a non-mathematician, he familiarized himself with its complex form in chaos theory which, when projected visually, creates a satisfyingly circular heart-like geometric pattern with frilly edges, called a Mandelbrot Set. He made copious notes as he went along and was not surprised when, nine months after he started the experiment, a Mandelbrot Set design appeared as a crop circle. It convinced him even more firmly that our own consciousness is creating the formations.

The last few seasons of crop designs have made an unprecedented advance in complexity and beauty; our Group Consciousness is indeed making us sit up and observe the Earth with new eyes.

This dear planet we call home is where we are nurtured – particularly in the warm summer months when the Earth showers us with blessings. If only we might allow ourselves a break from thinking ‘poverty consciousness’ (‘running out of oil’) and instead dream up new ways to operate (‘an electric motor run on magnetic particles rather than coils’), within the bounds of her precious resources.

We are the caretakers. If we start taking better care of her, she will provide us with everything. All our needs will be met. We have only to think of miracles for miracles to occur.

We’re already wired for the upgrade. Our DNA has been receiving increasing light boosts since our rendezvous with Galactic Center at midwinter. Consciousness equals reality. We are capable of creating wonders beyond our wildest dreams.

And, what’s more, the new season of crop circles may show us the way…

Crop Circles: Hitchhiker’s Guide in Sound and Light

‘Where observation is concerned, chance favors only the prepared mind”
Louis Pasteur 1854

Crop circle codes of light

Last weekend, as I joined in giving thanks for our earthly blessings, an autumnal appreciation of Crop Circles, themselves the epitome of high summer warmth and abundance, seemed right. If, like me, you are adjusting to the onset of winter, shortening days, dwindling light, you might be tempted to regret that, at the height of summer, we didn’t feel more appreciation for the phenomenon. Once more I allowed the beauty of their designs to imprint on my subconscious and, as many others have done, asked myself why here, why now? So this is my second blog at a time of entering into hibernation, because we occasionally need a double dose of joy to get us through hard times.

As a catalyst for change, their imprint on harvest field and human consciousness is gaining ground and their messages of joy, beauty, grace (as well as mathematics, geometry, astronomy, enough science to boggle the most ardent geek) have been hitting us squarely between the eyes: 10,000 messages in 29 countries in the last decade. Along with spiritual feelings generated in visitors within the circles themselves, those messages are having an impact on us, the human race: feelings appropriate to this particular season: like peace and goodwill to our fellow man. How clever of them to be able to combine both physical and spiritual. And to do it in such a miraculously short time.

Helicopter and microlite pilots have attested to crop circles appearing in the Wiltshire countryside in a 15-minute timespan between one flyover and the next. Overnight campers trying their best to stay awake to ‘catch them at it’ have either dozed off at the crucial moment or seen the tail end of a luminous glow disappear over the horizon, leaving a trail of beauty blazed in the corn.

Crop scientists agree, stalks of barley and wheat show effects of intense heat similar to microwave or laser energy which can make a stem node pop or a stalk bend and lie flat without breaking, all the while being manipulated into a stunning swirling pattern akin to weaving or cosmic basketry. Monitored examples so far have registered minute alterations in cellular structure, fluctuating background radiation and depletion of the local water table, but crops continue to grow to maturity and harvest with no negative impact. In fact recent research is beginning to believe a quick dose of light radiation and an altered energy field actually improve crop yield.

Known side-effects, seen by the scientific establishment as an increase in electromagnetic energy and altered soil chemisry, produce on-the-ground human biological emotions such as brotherly love, increased camaraderie, and an inclination to share with others; add to that the agricultural bonus of stronger wheat, more robust barley, increased yield, and the fact that these crops are increasingly being consumed by us in our bread, malt, beer and pastries, would it not follow that we too are being affected? To take the concept even farther; might we find through the gifts left in these complex manifested forms a way to feed the world’s starving masses?

In recent years the beauty of crop circle art, alone, has succeeded in affecting us as a collective. That in itself is remarkable. Through the immediacy of the internet and with huge advances in video technology, visitor numbers have escalated beyond local belief, air traffic and ‘sky tours’ have doubled and website ‘hits’ on the phenomenon number over one million.

There are few left unaware or untouched by them. People in all countries – even the most inured city-dweller – and followers on all continents, whether or not they have experienced them first hand, are writing and blogging about them. I for one have visited only one, but that’s the beauty of their effect: the photographic record has nearly as much impact on us as the creations themselves.

While some communications media continue to postulate their formation by humans, most of us who’ve been following their process of revelation are aware now that something else is going on.
They are making us look to the stars. Our place of origin, according to all major world religions, astrophysicists, philosophers, a multitude of alternate faiths, and a huge body of ancient knowledge.

‘He made his Progeny of an extract of Water held in Light estimation’
Q’uran The Koran

Why, if not to guide our fumbling consciousness in a new direction, would we be given a steadily increasing stream of tantalizing coded information, created in seconds, coming from what appears to be the Realm of Light?

Sextant Crop Circle at Alton Barnes Phase I June 21, 2009

It’s not just a physical reaction; it’s emotional, psychic, spiritual and other-dimensional as well. We are being drawn out of our three-to-four dimensional planes and becoming familiar with concepts, taught by all the great spiritual doctrines, that there are several other realities than the one we see.
Suddenly our Hitchhiker’s Guide to the Galaxy becomes an open door to the Universe and is teaching us to think out of the box, to look beyond.

Take the Sextant Crop Circle for instance: After its preliminary formation on midsummer night 2009 in a field at Alton Barnes, Wiltshire, it took two successive nights to complete. And it brought reaction from three different schools of thought:

Coronal mass ejection predicted in 'jellyfish' crop circle

The Astronomical community suggested its initial phase mirrored the inner solar system, predicting (like the ‘jellyfish’ crop circle) a solar coronal mass ejection (CME) for a date three weeks in the future. Phase two appeared to give universal values and positions for the inner planets confirming that date and time; and phase three, although a trickier concept, as it appeared to be in ‘code’, a mixture of ASCII and hieroglyphs which were yet to be revealed!

The Mathematics community, including our dear-departed gurus Sagan and Hawkins (my last blog) are insistent that much crop circle symmetry and form resembles the perfection of number and the exquisite harmony of music:

‘As the expression of number in space, geometry is inextricably linked to music since the laws of the former govern the mathematical intervals that make up the notes in the western music scale – the diatonic ratios – hence the reason ancient Egyptians referred to geometry as frozen music.’

There is a physical connection, too, between matter and sound, as sound waves will create geometric patterns in sand, iron filings, any flexible medium. Navajo and Hopi traditions relate how shamans in ancient times would utter words on to sand to create sacred patterns. Music soothes the fevered mind; it coaxes plants into growth (Secret Life of Plants, Peter Tompkins and Christopher Bird).

Sextant crop circle phase 2 appeared June 23 2009

Echoed in all the world’s faiths and traditions is the concept that Universal matter was created by sound: Hindu Mandalas are created in the vibration of God; Islam expresses God as a sacred geometric image; in the Christian tradition, medieval geometry produced miraculous structures like the Gothic cathedral whose hallowed arches resonated with song and chant. And

‘In the beginning was the Word, and the Word was with God and the Word was God St. John

Phase 3 Sextant crop circle Alton Barnes June 30, 2009 with coded tail

The third response is from an individual, but is, I believe, the most revealing of the three: Judy Beebe has been a medical scientist for 35 years, and on her spiritual path since she was nine years old. Through a series of life-changing experiences, some of them OBEs, she has created what she calls a Language of Light, which she itemizes and demonstrates lucidly to be a Univesal code which is embedded in the crop circles.

She fervently believes Mankind has reached a point where we are now listening:
– to our own ‘Spirit within’,
– to messages sent from our Universal Matrix to remind us of our sacred potential, and
– to our own forgotten memories of who we were before we incarnated on this planet. She is convinced that water carries the matrix of our future.

Her information is carefully and lovingly documented and her website is a work of art in itself. She also – like the crop scientists measuring growth rates and changing cell structure – thinks we are being directed towards new simpler technologies which we have only to use our God-given intelligence to figure out and implement. In her view, the 2008 Crop Circle season was about ‘energy’; the 2009 season about ‘water’. Man’s way forward is to develop our next source of energy from the water molecule: what she calls Omega Cell or GEM energy.

Judy Beebe's concept of phase 3 Alton Barnes 'sextant' crop circle with tail

For her, the ‘Sextant’ crop circle phase one clearly gives the GEM energy formula, along with instruction in how to activate the energy matrix which we need as a species to develop our ‘understanding heart’ and to ascend in consciousness. Phase two shows the matrix opened up and the activation of ‘watery fire’ or power from the constituent elements of water – oxygen and hydrogen. Phase three shows energy at our fingertips to power the world; she says energy from water is our destiny. To her, the phase three tail of code, like the swallow crop circle with coded tail which appeared the same week at Stanton St. Bernard (June 27, 2009) is a flow of rippling water energy.

Her work has matured over several years and her evidence is clear and beguiling. It is a masterpiece, with directions to reach the Master Key, and well worth taking time to study.

Gradually, as we work our chilly way moment by moment towards winter solstice, the time of earthly endings and solar standstill, we are being shown miracles in nature along with human ideas which have sparked from them. In contemplating designs devised by laser consciousness, we are also being given a razor-sharp view of an alternate reality. I believe we are being drawn closer to our destiny, and. like the return of the light after solstice, our new beginnings are around the corner.