Jumping Dimensions: Crop Circle PHI-losophy 101

PHI, the Golden Mean seen as the Divine fractal or self-generating spiral of beauty

Since there no longer exist in this four-dimensional structure [space-time] any sections which represent ‘now’ objectively, the concepts of happening and becoming are not completely suspended, but complicated. It appears, therefore, more natural to think of physical reality as a four-dimensional existence, rather than, as hitherto, the evolution of a three dimensional one.
Albert Einstein

We think we understand dimensions. One – two – three, the above quote notwithstanding, we know our world: a pencil drawing, line on paper, are one and two. The paper itself makes it three and we’re drawing it NOW in this moment, so that makes it four. Four — the dimension of time, Einstein’s E=mc2— is where our everyday understanding of physics of our real world brings us in line with today’s brightest minds. Beyond that, our braincells need a little boost, an injection of fantasy, imagination, a mental grasshopper leap. That’s where we’re fortunate, because we’re getting a ‘little help from our friends’.

A little honey at Honey Street: PHI fractal crop circle of 08/08 at Stanton Bridge, Wiltshire

When the crop circle community stood poised, balancing on ballet points for what might materialize from those higher dimensions on the eight-gate, 8/8, our friends in high places sent us four! One at Spilsby Lincolnshire, a magnificent 500-footer at Pewsey White Horse, and a little honey, a miniscule delight in the form of a fractal at Honey Street, Wiltshire.

Large yin-yang solar flare August 7th sent CME to earth, photo Wouter Verhesen

The miniature (150-foot diameter) Honey Street design seemed like another warning that the sun was playing up — its fractal lying in yin-yang position did look remarkably like a solar flare which sent a coronal mass ejection (CME) earthwards the previous day, (SpaceWeather). But, for good measure, in case we didn’t get the message, a second mini-circle appeared simultaneously at Stanton St Bernard #2 which looks remarkably like a flaring sun, complete with solar prominence burst. Meanwhile, the irate farm manager at Pewsey White Horse, having warned visitors previously in the season that ‘trespassing’ would be dealt with severely, cut the massive formation out by noon the same day (YouTube video below). But the honey at Honey Street (Stanton St. Bernard #1) remains; is gorgeous, and while expressing multiple ideas, is a delightful feast for the eye. Brain food? Nothing too taxing (unlike the M4 coded images, further below); just a whimsical fairytale fractal (couched in CME format with wave-bending crescent) in a golden harvest field.

While over the previous fortnight earth’s deepest thinkers were pondering math ratios, alien language code and making themselves sick thinking life had sent them lemons, the Universe made us lemonade!

I feel compassion for some of the serious ponderers in Croppiedom. This season has not been easy for them. 2010 not only manifested mysticism, mathematics and dimensional momentum; it brought masses of ‘plankers‘ out of the woodwork. In conjunction with and as substitutes for what they like to call ‘anomalous’ crop circles (those formed in intense heat with ultrasound and cereal nodes bent by light, leaving vestiges of ‘angel hair’ — a pure silicon-hydrogen hallmark of UFOs aka white powder gold), the summer fields have been invaded by human designers, albeit talented, but mixing up the metaphor for us naïve believers in Ascension as a theme and confusing visitors flocking to the fields to find nirvana.

It may be this confusion which affected the Pewsey farm manager. It’s understandable: if he thinks — to quote my funny friend Fitzy — that ‘last night 100 students, studying macrame, snuck into a field and wove …leaving no evidence of their presence…’ and that they were just messing up his life for kicks, or for an art project, it’s not difficult to see why he accosted visitors and sent threatening messages, describing the work as ‘vandalism‘.

Silicon-hydrogen compound 'angel hair' found in light-created crop circles

But if he were to see his cut crop as light-enhanced, with added silicon nutrients incorporated in the grain which have health-giving properties, growth-rate boosts (and might fetch more on the market), then he might change his tune. But that supposition for another year, now. The formation has been cut.

'Anomalous' formation on top of Whitefield Hill, Woodsend, Wiltshire August 3rd showed vestiges of 'angel hair'

Not before it was thoroughly documented, though, with superb aerial photography by Matthew Williams and Pierre Beake, and while only a few pedesterians got a close-up of this 500-foot spectacle, its dimensions and message will be studied in depth long after its vestigial imprint has gone. It’s interesting to speculate that its purity of design and impact on spectators may indicate that it, too, was an ‘anomalous’ creation similar to the ‘egg-slicer’ formation of August 3rd on top of Whitefield Hill, Woodsend next to the radio transmitter. Whitefield showed evidence of light-induced elongated stalk nodes on atypical straight stems in the flattened crop, along with a residue of angel hair or ‘white powder gold’. For more detail on this silicon-hydrogen compound and its qualities, see the p.p.s on my last blog.

Gerald Hawkins, great decoder of Stonehenge and subsequent devoté of sacred geometry and diatonic musical ratios (Egyptian ‘frozen music’), wrote before he died in 2003:

If crop circles are made by hoaxers, then they should stop doing it, because they are breaking the law and damaging the food supply. If they are made by UFO aliens, they shouldn’t give us the dates of our trips to Mars and names of men from the Titanic era – famous, clever, but now forgotten. If some are transcendental, the power behind it should realize that our culture is now willing to accept transcendental happenings. If they are indeed transcendental, then society will have to make a big adjustment in the years ahead.

Through a language that’s possible for most of us to understand the crop circles, with apparent ease, carry trains of thought over thousands of years that are both transformative and liberating. The Egyptian/Sumerian priesthood did it — spared no effort in using every available surface to proclaim the existence of another dimension (their ‘after’- or future- life), so the people might understand. Now, millennia later, we so-called evolved mortals are being given similar instruction — a picture language with recurring specific symbols — from our ‘priesthood of light’, our own consciousness from a higher dimension. It is no coincidence that the Horton Friday-the-13th finale of the 2010 Wiltshire season has blatant Egyptian symbolism.

We are being shown a series of objects which exist in a higher dimension, so that our vision and perception may become clearer. Each summer, via an ephemeral canvas of wheat, barley and maize, we’re being taught telepathically: and each year-end we’ve learned more than we knew before. Light orbs (clearly from a dimension we haven’t yet got the hang of) are now so frequently witnessed, documented, and (almost) accepted as a tool of the Circlemakers, that we are having to concede our prosaic 3/4-dimensional world is a little out of date. The sensation of bliss experienced by many within light-orb-inscribed formations is not imaginary. Human bonding, spontaneous group meditations and effortless harmony with others seem to occur naturally within these creations. The Circlemakers are professors not only of beauty and precision, but sacred geometry, history, mathematics, arcane tradition and philosophy, spiritual discipline, bliss and joy!

Dan Winter, author of Phi Physics in a Nutshell, says

DNA is the seed crystal of the higher dimensional Lightbody
DNA, a perfect Phi-structured crystal connecting long waves and short waves, is a three-dimensional pattern designed to transmit information, in the form of a living being, through time and space, the fourth dimension. Its goal seems to be to create a fifth-dimensional intelligence, one capable of phase-locking with the information of the Universe stored in its crystaline coding within its DNA geometry.

Geometry is the basic creation of symmetry, says Winter. This is where the Phi-wave or the perfect spiral, Golden Mean fractal, Nature’s perfect natural growth pattern, comes in. ‘Any symmetrical structure creates a place where meeting waves, those traveling in opposite directions, can stand, that is, can phase and phase-lock.’ Standing waves give the illusion of solidity, which is the ‘segregation of momentum that makes possible the birth of matter.’

He explains why the Golden Mean spiral is Nature’s ideal ‘nest’ for converging waves:

‘In the world of waves, only the donut, (the torus or vortex), and the golden mean spiral can become coherent — hold their shape — like a smoke ring. As more of these smoke rings are created and they want to relate to the first smoke ring, they must ‘nest’ in the right pattern so that they can remember their form and still share structure. The best pathway for doing this is the ratio we call the golden mean. Only in this shape can waves nest together without interfering with each other and cancelling out their memories.’

A Phi spiral can nest triangles, squares and five-sided figures (pentagons), creating a dodecahedron as it goes. The dodecahedron (12-sided shape) is the perfect Golden Mean nest for turning information/waves into coherent structure. ‘That’s why it’s also the pattern of the braided DNA molecule,’ Winter concludes.

Julia Set fractal at Stonehenge July 1996, beloved of mathematicians, marine biologists and musicians

So our DNA, constantly evolving and upgrading through an enhancing light spectrum — with the help of sunlight and electromagnetic energy from the higher dimension — is lifting our four-dimensional world bodily towards the fifth: dimension of our lightbody.

Countless crop circles over the years have depicted the fractal. Perhaps most famous of all was the ‘Julia Set’ Stonehenge formation of July 7, 1996 whose pristine curve appeared in broad daylight at teatime after torrential rain the previous night. Its ‘comforting’ shape to mathematicians represents a complex computer-generated fractal image; to musicians the bass clef, and to marine biologists the cross-section of a nautilus shell.

E = mc2
Matter is just a lot of energy moving so slowly that we can touch it and sit on it. Energy is just a little bit of matter moving so fast we have trouble finding it: simply put, they’re polarities of the same substance, which is flowing and moving at different rates constantly through the Universe.

But there’s an even bigger idea for this 101 dissertation in our Dimensional PHI-losophy class:

Perfect symmetrical geometric shapes contain, ‘nest’ or embody energy. So, by focusing our ‘intent’, (heightened with love, desire, feeling, emotion, belief and will) we can make things happen — ‘create matter’. That’s why New Age philosophy, esoteric disciplines and native American ancestral wisdom describe us as the ‘Creator’.

‘Where attention goes energy flows‘.

New Age and ancient teaching of the Mystery Schools,
multi-platform

There’s one aspect we still don’t quite understand, but it’s worth keeping all the balls in the air.

The connection to sound — ultrasound, music in any form as inspiration and its creative ability as a ‘wave-particle’ — cannot be overlooked. Gerald Hawkins was fascinated by the diatonic scale — another fractal, or ‘perfect’ progression of the familiar octave on the piano, bassoon, saxophone, guitar. Notably he and Paul Vigay corresponded on its unique function in crop circles before both died. They found not only that crop circle images converted into sound through special computer software produced meditation-inducing alpha waves; but that the reverse hypothesis was true — that ultrasound is a factor in producing images in the corn.

Solstitial Phi formula in Vale of Pewsey lies immediately below the Heart chakra - the (Sanskrit) wheel that directs life

Earlier this season we were gifted another stunning coded triangular motif in the Vale of Pewsey on Solstice, which turned out to be an ASCII rendition of 1.61803399, the golden ratio = ϕ Phi. It is clearly a formula close to ET’s heart! I still believe that it, like the coded canola musical box disc in the May 22nd Wilton formation, if played through Vigay’s software, would produce sound in the alpha range. We shall have to wait for Paul’s lightbody to arise and return.

Meanwhile a great deal of speculation surrounded the double appearance on either side of the M4 motorway at exit 14 to Hungerford on July 30th. Decoding the dual image has so far proved inconclusive, but when combined, the formations revealed a face overlaid on 16 lines or ‘strings’. Musicians, Lotus Ocean are overjoyed that their guitarist/avatar PT’s face appeared embedded in twin pixels flanking the M4, his daily route to play ritual music in crop circles. Their idea is not totally far-fetched. There are 16 petals in the divine lotus — a symbol of Ascension — and music, specifically ultrasound, has been found to produce waves of rapture in electromagnetic forms by Vigay, Hawkins and others (humans and wheatfields being similarly influenced by alpha waves). PT (Prashant Trivedi) is a string musician deeply entrenched in Vedic ritual and symbolism. Following his ritual AUM (OM) incantation within the ‘Druids cave’ near East Field, Alton Priors in 2007, the massive 2.25-acre OM crop circle of 7/7/7 appeared.

Sound is, after all, another form of energy in the electromagnetic stream that we all share in this amazing new world of heightened perception.

Are we willing to go for it: will we pass the exam, graduate from Dimensional PHI-losophy 101?

Our goal is fifth-dimensional awareness, a state already reached by many during meditation. It can be described as our ability to see all space and time, energy and matter, as components of one original wave form. This bliss state can, according to Winter, ‘bend light into a circle of self-awareness’. It creates a rich ultraviolet/blue explosion of energy that accompanies the Merkabah rise of Kundalini, Winter’s phase-lock of biological energies into the flow of the universal information energy stream. This enfolded love-state creates enlightenment, a state where the awareness of the universal mind meets itself at every wave junction.

The more we meditate, project from a state of love, feel gratitude, the closer we come to permanent nirvana.

Howzat for lateral thinking.

Learning to use the Hyperdrive

On the Severn: July 18th Woolaston design of merging particle resonance speaks to the third eye

It isn’t easy — you know, like falling off a log — this new learning curve, but it is helping us to remember who we are. The Intelligence of our higher selves – the essence of the Universe which is willing us on through pictures in the corn, daily synchronicities, new people coming into our lives. It wants us to make this leap. This Change.

Nobody said it would be easy. But hey, it’s already worth the effort. There are several new sources encouraging us to think like spiritual beings in human bodies. Instead of — traditionally — the other way around. Since spring we’ve been treated to some revolutionary new thinking. Inkeeping with the concept that the Calendar of the Maya tells us of our speeding-up as time coalesces, groundbreaking ideas are coming through thick and fast to help us learn new mechanisms: teaching us how to work this quantum hyperdrive.

While branded a 'fake', this recent crop circle at Milk Hill nevertheless inspired human bonding

At one end of the spectrum of wayshowers is Dan Winter with his exquisite explanation of how ‘everything is fractal‘ and we better get with the program (of ‘right living’) soon, if we want to survive. At the other, Kiesha Crowther, ‘Little Grandmother’, is less urgent but nonetheless firm that 2010 is the year we’re supposed to ‘get it’: it’s time now for us to tune into Nature and remember more heart-resonant ways of being.

How a Torus looks in 2D

2010 is the year, according to the old grandfathers of indigenous American tribes, we’re supposed to ‘get it’. This summer, whether we like it or not, whether we’re ready of not, here it comes.

Everything an Indian does is in a circle, and that is because
the power of the world always works in circles, and
everything tries to be round.
Black Elk (1863 -1950)

It is perhaps this simple feeling of appreciating the earth and her bounty — of remembering how precious is our ancient land — that the crop circle phenomenon is increasingly kindling in our human breast. But there’s a lot more.

Bishopstone, Bucks: centre of the circle, July 21 2010

Last week, following a series of striking multi-dimensional optical designs — culminating in the Fosbury ‘hypercube’ — there was a brief hiatus in crop circle creation, while we gathered our wits, collectively shared ideas and inspiration and quite literally drew breath. The cubes featured in last week’s blog were too stunning, too beyond our normal vision not to be taken seriously. And they provoked much thoughtful discussion. Yes, a couple of simple circles hit the fields — in Buckinghamshire and Gloucestershire, the ‘home counties’ of England, approximately where the world expects the phenomenon to occur. But there were some big surprises. North, West and South Yorkshire aren’t usual haunts for crop designs. Yet, this year, there they were: July fields decked with grandeur at Castle Hill Huddersfield, Sutton Bank, Brighouse West Yorkshire and Westworth Castle South Yorkshire.

It’s possible that CC-consciousness is preparing itself to use more northerly fields for the rest of the season; England’s been rather hot, you see. The northern world is going through a climate hike and the CCs may have to find alternate accommodation for the rest of the summer, rather than accustomed locations in Wiltshire and the home counties.

There they’ve already started the harvest.

Getting combine harvesters out of their sheds in mid-July is early. It’s even quite rare. Not a single CC appearance at Avebury* yet this year and they’re already harvesting the crops.

Oooo, croppiedom sighs; where to next? What will the light source utilize?

It’s not as if England has been inundated with crop designs in July, (though Germany and Holland received four each within the same time period). They’ve certainly kept us on our tiptoes waiting. So it’s interesting that three days after a new circle in Gloucestershire (illustration top), the sacred landscape blessed us with another discovery — not croppiewise, but a reminder of how important our sacred heritage is.

A neolithic wooden posted henge was discovered off the A344, within half a mile (3000 feet) of Stonehenge. The discovery came within days of a similar discovery in an ongoing archaeoastronomical project by a team from Wright State University in Dayton, Ohio working on an almost identical woodhenge found at Moorhead, near Cincinnati. Both wooden circles appear intentionally aligned to the exact position of solstitial sunrise on the morning of June 21st.

At dawn on June solstice the sun rises over Stonehenge's heelstone to shine through rings of stone 'doorways' into the central altar stone, photo courtesy National Geographic

The woodhenge at Stonehenge and the Moorhead circle have identical ‘openings’ where the rising sun could be seen to shine through a manmade gateway into the centre of the circle of wooden posts. At Stonehenge itself, dawn on June 21st is celebrated as the sun appears to rise over Stonehenge’s heelstone to shine through successive concentric ringed stone ‘doorways’ into the central altar stone. It penetrates Welsh bluestones, native trilithons and a carefully-arranged Sarcen stone circle to find this central space. So, it seems, did builders of woodhenges wish to see their manmade doorways usher in the solstitial sun. There are several woodhenges in Britain, not just in Wiltshire — at opposite ends of the country, in fact — one between Lands End and the Isles of Scilly, another in the waters off Norfolk and a third in the waters off Rattray Head, Aberdeenshire, to name but a few. Earlier researchers thought they were built as precursors to stone circles — testing the waters, if you like — but this new discovery is extremely detailed, showing two ‘celestial entrances’, an indicator of our ancestors’ supreme astronomical knowledge. So it’s back to the drawing board for the prehistorians.

Nevertheless, for 2010 Man watching such appearances as if on cue, our ancestral past again got our attention. The new woodhenge lies on a direct line between Stonehenge and Warminster, in the thick of well-known electromagnetic energy lines and crop circle ‘heaven’. It is worth remembering that the Wallbury serpent formation of June 12th this year was laid so that the serpent’s head directly faced June solstice sunrise.

The public began to see Wiltshire — and our sacred landscape — with new eyes. The national news even picked up the story and offered us a kindly look into our ancestral heritage, to a time when marking the land with pointers towards the sun and moon, distilling what was happening in the heavens around us, was commonplace, sacred, necessary. This little neolithic happening filled the gap for us in a week lacking in other significant crop circle news.

Then, with a sigh of relief, a new crop circle was greeted on July 25th at Wiltshire’s prehistoric Roundway.

Fourth dimensional sphere/Torus with interlocking Greek key/Maya pattern at Roundway, Wiltshire July 25th

Following on my last blog on consciousness (& CCs), I was blessed with some illuminating and thought-provoking commentary (thanks, guys). Because of hyperdimensional CCs, we humans broke through some new dimensions ourselves and we jointly felt the next progression for a crop design might be the circle. That is, if our minds had already accepted the move triangle > pyramid > tetrahedron and we have been shown the square > cube > tesseract, then we should be able to visualize circle > sphere > torus. I would like to quote New Zealander Fitzy, as his allegory for the Torus is erudite:

Stanford Torus, a 1970s' view of the 21st century

We could see this as an intact form, differences in texture, colour, and area would all be obvious to us and they would blend into each other in a natural way. A Human would be a mixture of internal and external surfaces, alive and whole, and quite unlike how we see ourselves. Inside and Outside may have no significant meaning there.

Then on July 26th, an imprint appeared in East Field, Alton Barnes which had decipherers all clamoring to translate its ‘Hebraic’ script. It is reminiscent of an August 1991 script which appeared in the neighboring field at Alton Barnes (Milk Hill farm). It, too, had crop circle experts worldwide pooling their linguistic resources. At the time, Gerald Hawkins was alive and, as a skilled mathematician and logician with a head for numbers and letters, he deciphered the Milk Hill script as saying something like ‘oppose deceit’. If this new message refers to the present design at neighbouring Milk Hill, which appeared one day earlier (near the location of the 1991 design) and has been denounced as being ‘tampered with’, one awaits further translation with bated breath.

East Field, Alton Barnes July 26th. Compare this 'Hebraic' inscription with the August 1991 Milk Hill script

Hawkins used no specific human language, but as a mathematician, analyst and astronomer, accustomed to decoding obscure messages (he was, after all, original ‘decoder’ of Stonehenge — Stonehenge Decoded Doubleday, 1965) — he quickly noted repeat letters and, while his result was a Latin translation, it made sense. Others also translated the script with varying degrees of success. No confirmation has ever come through from ET on who was right. In addition to an elusive script, the 2010 East Field design incorporates what looks like a star map to a region of the heavens called the Tarantula nebula, 180,000 light years away in the Greater Magellanic Cloud. The star cluster is framed within a double-bladed axe in the formation’s centre. The Tarantula nebula — in constellation Dorado — also shines from a background of stardust clustered in this ancient shape: the double-bladed axe — ancient Assyrian Labrys, from which the Greek borrowed the word labyrinth — was one of Man’s oldest sacred tools.

Torus or inside-out tennis ball: Westbury design similar to its fellow of the previous day at Alton Barnes

Significantly the East Field inscription and axe blade is set within a torus — or a rendition of a splayed circle — which is comparable with another design that appeared one day later, July 27th, at Beggar’s Knoll, Westbury. This time there is no inscription, no axehead, but the torus appears to show several layers of circular perception or a dimension within a dimension.

Of interest to those of us following this progression, and because we’ve had much open discussion with ideas flowing on the most optical-illusory designs and those displaying ‘other’ dimensions, it calls to mind Bradley York Bartholomew‘s 2005 thoughts on Robert Boerman who, like Hawkins, decoded the 1991 script. Bartholomew quotes Boerman as giving meaning to another crop design — a double-helix, also at East Field, Alton Barnes in 1996 — which said essentially ‘there is divine intelligence within our DNA and that Intelligence is the Creator of Life’. +Bartholomew expanded on Boerman’s work and went as far as to say that the (divine) electomagnetic force within DNA connects to the electromagnetic force of the Earth and beyond. So that, in his words:

‘It is the force in the DNA that has put the message directly into the mind of the person attempting to interpret the crop circle. Whatever the message may be, there has been direct communication between the Circlemaker and the observer, because the same force that has created the circle can determine how it is interpreted. The Circlemaker is the networked intelligence that is in the DNA of us all.’

In addition, during discussion and commentary in last week’s blog on what we might ‘suggest’ to the circlemakers as a progression we wanted them to produce, Fitzy suggested the Torus and I said it was reminiscent of an incident in Lifetide (1979) by Lyall Watson where he witnessed a little five-year old Polynesian girl turn a tennis ball inside out with her mind, simply because she believed she could.

Judging by the ‘torus’/inside-out tennis ball appearances this week at East Field, Alton Barnes and at Beggar’s Knoll, Westbury, our DNA has certainly been communicating!

Our hyperdrive may be taking baby steps, but we’re getting there.

Tarantula nebula in southern constellation Dorado

If the circlemakers are showing us where they come from, we’ll certainly need our hyperdrive to reach them. The southern constellation Dorado is 180,000 light years distant.

East Field #1 star cluster on double axehead: Minoan & Assyrian 'labrys' double-axe symbolized power in the ancient world

Despite a flurry of bogus crop formations (East Field #2, July 29th, has been ‘tampered with’ but still shows authentic elements), none of us can deny that we are being shown a sequence, our braincells are being given a genuine shakedown and we are being encouraged to inject knowledge of our most ancient traditions (labrys was a female symbol of power in Minoan Crete and Turkish Anatolia 2000BC) into our present human consciousness, triggered by jolts from the future (symbols in the corn). If we lay aside human conflict, rivalry, ego, our minds are capable of much more — of reaching into other dimensions. They, it seems, are reaching out from those dimensions to us. It would be churlish, if not childish, of us not to accept their helping hand.

Postscriptum #1: On July 30th two crop designs of multi-dimensional communication appeared on either side of the M4 motorway at Wickham, Berkshire. On first glance they are reflections of each other, mirror images of a face (likened by some to Christ), but both use the format of the ancient oriental Abacus or counting board (number) to display what may turn out to be another ASCII code (numbers > letters) message, like the Wilton Windmill earlier in the season. Musical notation cannot be ruled out either because, like Hawkins’ sacred geometry (ancient Egypt’s ‘frozen music‘), they do look rather like guitar tabs for a 16-string instrument (!) or notes overlaid on two octaves. However we manage to interpret the code, as a complex multiple communiqué it will have our worldly braincells churning for the next few days at least!

p.p.s #2. +Bartholomew had a great deal more to say on ‘white powder gold’, a pure silicon-hydrogen compound found deposited in some crop circles, where ball lightning hits, in the resin of trees felled during the Tunguska Event in Russia in 1908 and where anomalous balls of light have been present. Time will tell whether white powder gold will become our next test substance for authenticity in crop circles. More intriguing, however, is the fact that Bartholomew says when ingested, white powder gold acts as a superconductor with a frequency tuned to the resonance of our DNA. It is capable of healing and has life-enhancing capabilities. That is, it can produce high levels of increased ‘joy’ or a permanent state of bliss.

More fodder for another blog!

*The Avebury-Trusloe appearance at Windmill Hill is being branded as fake (man-made) and witnesses to East Field #2 saw ‘plankers’, but also ‘balls of light’. Jury still out on that one.