Sychronicity of Mind : Miracle in Manifestation

Conduit Closing… 2012

Unprecedented, in a tight corner of one of the last fields to be harvested in 2012, Windmill Hill crop formation of October 14th came in answer to a group prayer; image courtesy CropCircleconnector.com

Few followers of the crop circle phenomenon would expect anything dramatic to appear in English fields in mid October. Technically, the season is over. Now is the time when Wiltshire’s canal-side pubs have rescued their outdoor chairs and tables from the drenching rain and put up shutters for another year. And yet at some deep level one can venture to describe as ‘beyond our ken’, there have been other forces at work. Several ‘croppies’ hoped for just one more image to satisfy their craving, to confirm their belief that there was something still to come and, remarkably another ‘final’ design of the season—the ‘conduit closing’ message of 2012—appeared overnight October 14th next to neolithic sacred site Windmill Hill, above.

Located at one of Wiltshire’s favored hotspots, more significantly the new design was ‘anticipated’, at least by a small group of devotees, praying to have their belief confirmed by an answer in the corn.

rt: the ‘visualization’ September 11th, courtesy M.Etchepare, left: Windmill Hill CC October 14th, 2012, courtesy ET

This is not the first time crop circle enthusiasts have ‘wished for’ a design and one appeared. In the 1990s there were several instances of preemptive visualization, not least of these being the Mandelbrot Set crop formation of August 11, 1991, documented in full by Joseph Mason. Throughout that decade Freddie Silva expounded his theory that all crop circles were produced by ultrasound. Another visionary of the 1990s crop circle resurgence, Paul Vigay (1964-2009) corresponded with former Stonehenge decoder Gerald S. Hawkins, and they both agreed that sacred sound had a significant place in the creation of such ephemeral appearances. Hawkins had then recently succeeded in decyphering the Milk Hill script sent by the circlemakers in answer to his colleagues’ demand: “Talk to us” in 1991.

Vigay’s work with Hawkins led to a previously obscure relationship between sacred geometry and intervals on the music scale noticed by the ancient Egyptians: their ‘frozen music’, below. To Vigay it was a natural progression to make recordings of pixel images of crop circles which he played through a computer program, converting pixels to sound. He discovered the resulting music had a quality conducive to meditation, relaxation and deep contentment: essentially sounds in the ‘alpha’ wave band.

Dendera Zodiac in the ancient temple of Hathor, Dendera/Lunet Luxor Egypt

Many indigenous and antique civilizations had knowledge that sound could affect matter: or that certain sound frequencies are light-resonant. This information held by the priesthoods of various religions and cultures was known as Sacred Sound or the ‘Lost Chord’. See our earlier research on the healing chambers within certain pyramids which were ‘wired for sound’.

These sacred sounds form a predetermined scale of octaves.The human voice, when suitably reverent, is also one of those tones which can affect its surroundings. One has only to hear a child being lulled to sleep by a mother’s comforting song to know that such frequencies break down barriers, cross into unseen worlds.

In the Beginning was the Word
In the late nineties, before they both died, Gerald Hawkins and Paul Vigay agreed that crop circle designs manifested precisely according to Hawkins’s theory based on four principles found in Euclidean/sacred geometry, that:

“… theorem involves concentric circles each touching the sides of a triangle, and as the triangle changes shape, it generates special crop-circle geometries”

He developed a fifth crop-circle theorem elaborating on the triangle, finding that if several concentric circles touched at the triangle’s sides and corners, different triangles gave different sets of circles. He was astonished to find that the ratios within triangles, circles and other geometric configurations equated sacred design used by the ancient Egyptians— and that they likened geometry to ‘frozen music’.

An equilateral triangle produces one of the observed crop-circle patterns; three isoceles triangles generate the other crop-circle geometries. What is most surprising is that all geometries give diatonic—musical—ratios. Before us, only the Egyptians linked geometric theorems with music.
Dr. Gerald S. Hawkins

In the crop circle community the paranormal has never been the only attraction for circlewatchers. There are those who doubt, but many more believe that electromagnetic, sonar and solar powers are at work. In the 2012 season of many pitfalls—despite angry removal of designs by harassed farmers, long periods of rain, a dominant theme has nevertheless penetrated the cropwatcher psyche—that transmission via ancient serpent earth-energy is alive and wishing to communicate with those earth-dwellers willing to believe such communication possible.

Gerald Hawkins believed it, his team decyphering the 1991 Milk Hill glyph found it read both ways: left-to-right and right-to-left:

Oppono-Astos = I oppose acts of cunning (deception)
and OII-OCCULUI-II-NUNC-IIO = I am hidden for now

The Background:

Hackpen Hill, August 26th: remarkably perfect crop design on the edge of the Marlborough Downs, where the ancient Ridgeway skirts the sacred energy center … many experienced lift-off within the circle

For those passionate crop circle followers who lovingly noted each bent node or whisker of a central tuft since the wet season of 2012 began, the prehistoric sacred triangle centered on Avebury—radiating northwest to Windmill Hill, east to Marlborough and south-south-east via the ancient Ridgeway, Silbury, West Kennet and the Sanctuary to Woodborough Hill—has manifested miracles. The ancient energy which drew neolithic farmers from their precious labor to erect sacred stones in respect for its potency, was the same electromagnetic force recognized by current researchers as being instrumental in producing crop formations.

Avebury heartland is simultaneously neolithic stone circle heaven, and twenty-first century crop circle hub. And it looked as if the sacredness was beginning to rub off.

“The crop circles have become signs and portents of our time. They function as huge Rorschach tests writ large in the fields of southern England, deciphered according to the belief of those who view the phenomenon”
John Lundberg, circlemaker

Stories like the Hawkins group-decyphering abound within cropcircle internet groups and their Wiltshire colleagues, the on-the-ground experts who watch each year and share interpretations.

In late August, after a dreary year of rain-drenched crops, with anxious farmers cutting fields as soon as standing grain was dry enough to drive a combine through, several crop designs came and went overnight. The build-up of croppie anticipation was dashed in several instances of crop circles being cut out before visitors could set foot in fragile fields. In many instances, solitary aerial photographs were a boon to those making the journey on foot, only to find a formation had vanished. Many felt disappointment, experienced no clearcut finale , as in previous seasons.

As the season lengthened into fall, and September 11th drew on to equinox—many Maya-inspired followers were anticipating a series of consecutive energy portals described vividly by Maya scholar Miguel Etchepare, featured in our last blog, A small intrepid group-within-a-group sensing a need for closure and an energy-doorway offering an opportunity, synchronously envisaged asking for another design to appear. If a communal prayer went up, perhaps the spirit of the corn might hear and send a reply.

The Visualization:
Hesitant amateurs at first, the ‘experiment’ couldn’t decide on what to visualize: the last CC had been the stunning August 26th hypercube, above: an exquisitely executed UFO-launch pad at Hackpen Hill. Yet the dominant theme of previous months had been the ‘tadpoles’, dragon-energy, the voice of Mother Earth-serpent before she settled on her sacred nest. The Maya Tzolkin portal presented ten consecutive days full of serpent energy; intense discussion followed via various threads, and design suggestions came forward. The inspiration percolated.

Our ancestors would have been proud of us: a twenty-first century group of predominantly western first-world types who didn’t really believe in folk magic; didn’t really think they could do something so connected to the Group Mind. But Brazilian astronomer Etchepare suggested, instead of a multitude of wishful-thinking-dreamscape-ideas—which could dissipate group energy—a simple stylized serpent head/upheld curved angel wings, above right, the die was cast. The graphic was posted on Facebook, people got on with their lives; but subliminally, we must all have waited and wondered…

Avebury’s culmination of serpentine energy, August 1st 2012, pointing to December 21st alignment at dawn when Mercury, Venus and Mars rise with Saturn before the Sun
consummate interpretation courtesy Miguel Etchepare

Meanwhile Miguel, spurred on by the Tzolkin portal, was simultaneously being given divine inspiration to interpret the remarkable Lammas serpentine appearance which nestled at Avebury, August 1st. See his remarkable video, below, one of an interpretive series, linking the serpents within the neolithic amphitheatre of Avebury, Woodborough, Picked Hill to the rising of the Serpent—constellation Serpens, held by Ophiuchus—alongside planets Saturn, Mars, Mercury and Venus as a prelude to dawn on December 21st, 2012.

No wonder our prayer in sound had potency. All the energy was there. Croppies believed! As individuals focused in their own way—but on an energetic level presenting a communal tone—voiced or unvoiced—the ‘intent’, ‘request’, belief for a final glyph to appear, was sent aloft: not perhaps on the same physical level as the SETI or Arecibo transmissions of the 1970s-1990s, but, intuitively, prayerfully, with focused intent from the Group Mind to the energy matrix ‘out there’.

The Prayer:
As we all know, the sound of a loved one’s voice, or a prayer released in earnest petition, can hold a vibration similar to music. From Gregorian chant to cathedral choir to rock and roll, music creates its own sacred vibration. The original utterance made by God in all Hebrew, Aramaic, Arab and Vedic tradition was the ‘Word’: a sound issuing through the airwaves. Regardless of how one interprets it, a sound by a dedicated—however small—group of humanity issued during September 11th weekend rose into the creative matrix to swirl with other sounds among the stars.

A strictly ordered system of mathematical progressions is necessary to create the smallest speck of matter from the primeval matrix of space. This mathematical fractal progression utilizes the mathematical equation relating to three Sacred Sounds
Φ PHI = 7/5 PI/e*
Bruce L. Cathie, The Energy Grid—Lost Science, 1997

*Φ PHI – the ratio that controls the formation of life
π PI – the ratio that controls the formation of circles
e – the ratio that control the formation of logarithmic spirals

Prayer answered?
It would seem the prayer invoked an answer—perhaps more than one. The Tzolkin portal seemed to act like a live ‘conduit’ between the Oversoul, the Group Mind and the fields. The ‘galactic activation’ windows, September 11-21, which sliced through equinox blues and inspired Etchepare’s Soothing Serpents series on YouTube, suddenly on new moon weekend, October 13th, produced a new formation—magically—in Miguel’s home country of Brazil. If that were not proof enough, immediately on its heels came a second—final—design on British soil: the much-anticipated curving motif of October 14th at Windmill Hill, top. Even the most skeptic among us can see it bears resemblance to the ‘prayer’ motif, second top.

We were told in Chilbolton 2002, that there is good out there; that we should believe.

Among crop circle believers—marginalized at the best of times—there now exists a warm fuzzy feeling: an answer did come: there is good out there.

‘Conduit closing’ for 2012. *Bell sound*
©2012 Siderealview

Equinox: Stargate Portal to 2012 Final Quarter

Inca portal of Amaru Muru at Hayu Marca, which is believed to give access to the world of serpent wisdom and interdimensional travel

Last weekend the sun stood, as it does on both equinoxes—March 21st, September 22nd—directly overhead on earth’s equator, before making its (apparent) journey southward towards the tropic of Capricorn, where it will stand on winter solstice—S.hemisphere midsummer—on December 21st, 2012. For one day and night, everyone on planet earth experienced a twelve-hour day* and twelve-hour night, with sunrise due east and sunset due west. From now on, days in the northern hemisphere will appear dramatically shorter. If that were not enough to make the most avid outdoorsman turn inwards for consolation, the end of the British crop circle season would appear to be a done deal.

*allowance is made for sunrays appearing before ‘dawn’, giving longer daylight at some latitudes.

Sacred Tzolkin, ritual calendar of the ancient Maya, predicted within its Harmonic Matrix a unique succession of Galactic Activation Portals (GAPs)—13 tones of Creation in sequence—between September 11-21, 2012
image & interpretation courtesy Miguel Etchepare

The sacred ritual Tzolkin calendar of the Maya, often used for divination, predicted long ago that, during these ten days/ten consecutive portals which came in succession between September 11th and equinox eve, September 21st, 2012, our planet would stand in a space unencountered before in our time on earth: a space some would call interdimensional: a time to communicate with our higher selves; elevating each other, strengthening ourselves within the vibrational window.

Because there were portal parameters within which to work, perhaps it encouraged more people to try: the crop circle community certainly went at it, alongside others, which in turn augmented the surrounding energy.

Ten days ago, before Equinox, a lot of people were feeling it; writing about it in blogs. And the New Age section of Twitter seemed to pick up on it, spiritual tweets flowing daily with advice on personal development and support. For a period of ten days the internet seemed to take on a positive, enhancing shield: allowing input/expression and growth. What fun.

Language of Light embedded in crop circle code? Light on Hackpen Hill formation August 26th, 2012, now considered the “conduit closing” message of the season: full of cross-cultural clues, hints, pointers

Even more exciting is that several traditions are colliding at this time, each with its own calendrical calculation, meaning, and mantra. The Judaic calendar counted entry into the year 5773 on Monday September 17th, Rosh Hashanah, followed by even more sacred Yom Kippur, September 26th, the Day of Atonement. In the Roman Catholic—and indeed Judaic/Coptic calendar—Archangel Michael’s feast follows on September 29th, Michaelmas.

Of all world calendars, the Hebrew count, begun in c.3800BC, is the most reliable, predictable counter of Time. Julius Caesar’s calendar of early Rome—the Julian—updated and corrected only two years before he died in 44BC, lasted for fifteen centuries, until it started losing days (how careless) and was superseded by the Gregorian Calendar of 1582, currently in use by the western world. By embedding leap years, it succeeded in tightening up the anomaly with the solar year, from which it now differs by only 26 seconds.

Wedjat eye, Eye of Horus, created in crystal/faience was worn by ancient Egytians as a protective amulet ‘on the left hand’; image courtesy Museum of Antiquities, Cairo

Calendars of ancient Egypt, dating from the Old Kingdom (2780 – 2250BC), are seldom quoted these days, but the sacred tablets of the Pharoahs and temple inscriptions indicate deep understanding of the workings of the heavens, of creation, space-time, and, most revealing of all, the measurement of the precession of the equinoxes: which all early cultures recognized as marking divisions in the celestial sphere, as accurately as the minute hand on a grandfather clock.

Zep Tepi: Beginning of Time [First Time]
Ancient texts, such as the (much-maligned) Hebrew/Aramaic Dead Sea Scrolls, and the Egyptian ‘Knowledge of Thoth’, insist that we humans are destined to become gods; that from their Zep Tepi—Dawn of Time—literally First Time—we were programmed to evolve beyond our present terrestrial form. The Egyptian god spoke of the Star Walkers, individuals who, like Enoch, traveled beyond the Great Eye of Orion [out of the program] and returned, to walk like gods amongst men. Such evolved humans are comparable with the ‘Lords of Light’ of the Maya, Sumerian Nephilim or Anunnaki—”those who from Heaven to Earth came”—and the Tibetan Shining Ones/Dakini.

Prehistoric Serpent Mound contained no burials; raised as a sacred emblem to the Adena people’s protective spirit in Ohio’s lush farming hinterland: egg in serpent’s mouth aligns with summer solstice sunset

Enochian texts suggested that regular cataclysmic changes would act as evolutionary agent provocateur, to quicken resident life forms into taking the next evolutionary step—prior to exodus from the womb planet, or creational egg.

According to many world legends, the Zep Tepi returns at the beginning and end of each time cycle, the 13,000 year half-point of our solar system’s 26,000-year zodiacal orbit around galactic center, seen in the precession of the equinoxes. Because of conditions in our galactic orbit, these 13,000 year intervals or ‘worlds’ appear separated by cataclysmic upheaval, ongoing throughout history.

So it is a revelation to discover that, alongside the Long Count Calendar of the Maya, the calendar-in-stone of the Great Pyramid—or ‘Phoenix Cycle’ of our galactic orbit, in Gregorian time, converted—reveals that their predicted end-time also falls on December 21st, 2012.

Compared with these, the Long Count calendar of the Maya, founded in 3114BC, now 5126 years old, a combination of cosmology and the measurement of Man’s evolution, is the most romantic and prophetic of ancient counting systems. Alongside their sacred, ritual Tzolkin and the solar/fiscal Haab, the Longcount is the most cosmically satisfying. Its dramatic predictions have gained a huge fanbase during 2012, ranging from a most evocative Native American cultural resurgence, to the outlandish/misleading Apolcalypse Now scenario.

The four faces of the nine-stepped pyramid of El Castillo, dedicated to Kukulcán at Chichén Itzá, Yucatán is divided into 4×91 steps = 364, plus the common top step = 365 days = 1 solar year

It is no surprise, then, that on equinox again this year thousands gathered at Chichén Itzá in present-day Yucatán to watch sunset. Guatemala is Maya heartland, Yucatán, its former spiritual home (now within Mexico), where on equinox, twice every year the magical serpent of light (Sun) weaves its snakelike form down (September) and up (March) the step-pyramid El Castillo’s rampart outline against the sky; hundreds of neighboring Guatemalan and Mexican visitors attended the sunset ceremony on equinox, September 22nd this year.

Looking back on the 2012 season, it is remarkable that something we wrote in 2010 applies this year, too:

The (crop circles) brought us dimensions beyond those we’re accustomed to thinking in, sacred geometry and energy vortices and power places known to all previous civilizations, but somehow ‘lost’ to our own: magical light orbs and mysterious high-pitched sound accompanying the formation of a circle or even group meditative ‘requests’ for such a crop appearance.

Serpent Symbolism in World Myths

Seven little serpent ‘tadpoles’ appeared just before Equinox in an Ohio field within the Hopewell ancient mounds; neighboring Adams county is home to the famed Serpent Mound of the Adena or ‘Fort Ancient’ culture, 1000BC-AD1000, photo courtesy Jeff Wilson

2012 brought to light a much deeper cultural myth, however: the cosmic intervention of the Serpent. Debased in Judaeo-Christian ethos as pagan ignorance, belief of a common (peasant) mentality—and blamed for Man’s expulsion from the Garden of Eden for suggesting knowledge gained from the Tree of Life—the serpent/dragon/kundalini energy nevertheless has come back to ‘educate’ us: literally [Latin, e-ducere=]to lead us out from our mindless state of cultural ignorance—into the Light.

It is not as if ancestral serpent wisdom has not been trying to alert us: the Egyptian pharaoh-god-king habitually wore the uraeus as a symbol of divine knowledge; modern physicians are represented by the caduceus, the staff of their lengthy studies entwined with the serpent imparting its wisdom. The dragon is totem for all oriental cultures, and even English hero, St George, is depicted as slaying his own dragon (of so-called pagan ignorance). Italian culture used serpent symbolism, as did the Romans, and the Greek Ouroboros famed as representing Mankind undulating forth around the Earth, only to return to seek its own beginnings.

To the Maya, however, and possibly—while little understood—to the indigenous cultures of North America as represented by the Adena people, above—the serpent of wisdom-knowledge-enlightenment-consciousness is one who seeks to return not only to ancient ways, but to its own birth canal; the Maya sacred tree, which grows in the dark chasm at the center of the Milky Way, the birth canal—Vesica Piscis—to which its child, the Sun, solar system and all earth-dwellers will return on winter solstice 2012.

So, if the latest equinoctial surprise in Ohio, above, of a crop circle of serpent-tadpoles emulating the serpent-alien theme that decked Wiltshire fields in profusion all summer, has come to give us a final message at the end of the season, it is perhaps this: as stated in the now famous crop circle of Chilbolton 2002:

Beware the bearers of FALSE gifts and their BROKEN PROMISES. Much PAIN but still time. BELIEVE. There is GOOD out there. We OPpose DECEPTION. conduit closing (bell sound)

The Ohio tadpole ring, while resonant with the Serpent Mound in neighboring Adams County, appeared within the ancient mounds of the Hopewell culture. It is now well-known within the crop circle community that several strands of consciousness, meaning and significance are embedded in such glyphs, and its occurrence at Hopewell may indeed be another message: one for the human race to BELIEVE, to hope well, to look forward to what the future has in store for us.

Almost as a postscript, comes the knowledge produced by current advances in DNA research, where studies have shown that our very cells—junk DNA—are encoded to remember who we are. Such is the golden alchemy of time and consciousness that is unfolding now before our eyes.

What culminated in the British crop circle seasonal finale—the subliminal message(s) of Hackpen interdimensional cube-within-a-portal, above—the serpent mother-Earth pictures of Picked Hill, Avebury and Woodborough, and now seen in the tadpole ring at Hopewell, Ohio, is a strand of communication now penetrating our thought patterns collectively as a culture.

If we are open to it, it appears to be a message from our own higher consciousnes: that ancestral serpent knowledge is alive and that all is well.
©2012 Siderealview