Sychronicity of Mind : Miracle in Manifestation

Conduit Closing… 2012

Unprecedented, in a tight corner of one of the last fields to be harvested in 2012, Windmill Hill crop formation of October 14th came in answer to a group prayer; image courtesy CropCircleconnector.com

Few followers of the crop circle phenomenon would expect anything dramatic to appear in English fields in mid October. Technically, the season is over. Now is the time when Wiltshire’s canal-side pubs have rescued their outdoor chairs and tables from the drenching rain and put up shutters for another year. And yet at some deep level one can venture to describe as ‘beyond our ken’, there have been other forces at work. Several ‘croppies’ hoped for just one more image to satisfy their craving, to confirm their belief that there was something still to come and, remarkably another ‘final’ design of the season—the ‘conduit closing’ message of 2012—appeared overnight October 14th next to neolithic sacred site Windmill Hill, above.

Located at one of Wiltshire’s favored hotspots, more significantly the new design was ‘anticipated’, at least by a small group of devotees, praying to have their belief confirmed by an answer in the corn.

rt: the ‘visualization’ September 11th, courtesy M.Etchepare, left: Windmill Hill CC October 14th, 2012, courtesy ET

This is not the first time crop circle enthusiasts have ‘wished for’ a design and one appeared. In the 1990s there were several instances of preemptive visualization, not least of these being the Mandelbrot Set crop formation of August 11, 1991, documented in full by Joseph Mason. Throughout that decade Freddie Silva expounded his theory that all crop circles were produced by ultrasound. Another visionary of the 1990s crop circle resurgence, Paul Vigay (1964-2009) corresponded with former Stonehenge decoder Gerald S. Hawkins, and they both agreed that sacred sound had a significant place in the creation of such ephemeral appearances. Hawkins had then recently succeeded in decyphering the Milk Hill script sent by the circlemakers in answer to his colleagues’ demand: “Talk to us” in 1991.

Vigay’s work with Hawkins led to a previously obscure relationship between sacred geometry and intervals on the music scale noticed by the ancient Egyptians: their ‘frozen music’, below. To Vigay it was a natural progression to make recordings of pixel images of crop circles which he played through a computer program, converting pixels to sound. He discovered the resulting music had a quality conducive to meditation, relaxation and deep contentment: essentially sounds in the ‘alpha’ wave band.

Dendera Zodiac in the ancient temple of Hathor, Dendera/Lunet Luxor Egypt

Many indigenous and antique civilizations had knowledge that sound could affect matter: or that certain sound frequencies are light-resonant. This information held by the priesthoods of various religions and cultures was known as Sacred Sound or the ‘Lost Chord’. See our earlier research on the healing chambers within certain pyramids which were ‘wired for sound’.

These sacred sounds form a predetermined scale of octaves.The human voice, when suitably reverent, is also one of those tones which can affect its surroundings. One has only to hear a child being lulled to sleep by a mother’s comforting song to know that such frequencies break down barriers, cross into unseen worlds.

In the Beginning was the Word
In the late nineties, before they both died, Gerald Hawkins and Paul Vigay agreed that crop circle designs manifested precisely according to Hawkins’s theory based on four principles found in Euclidean/sacred geometry, that:

“… theorem involves concentric circles each touching the sides of a triangle, and as the triangle changes shape, it generates special crop-circle geometries”

He developed a fifth crop-circle theorem elaborating on the triangle, finding that if several concentric circles touched at the triangle’s sides and corners, different triangles gave different sets of circles. He was astonished to find that the ratios within triangles, circles and other geometric configurations equated sacred design used by the ancient Egyptians— and that they likened geometry to ‘frozen music’.

An equilateral triangle produces one of the observed crop-circle patterns; three isoceles triangles generate the other crop-circle geometries. What is most surprising is that all geometries give diatonic—musical—ratios. Before us, only the Egyptians linked geometric theorems with music.
Dr. Gerald S. Hawkins

In the crop circle community the paranormal has never been the only attraction for circlewatchers. There are those who doubt, but many more believe that electromagnetic, sonar and solar powers are at work. In the 2012 season of many pitfalls—despite angry removal of designs by harassed farmers, long periods of rain, a dominant theme has nevertheless penetrated the cropwatcher psyche—that transmission via ancient serpent earth-energy is alive and wishing to communicate with those earth-dwellers willing to believe such communication possible.

Gerald Hawkins believed it, his team decyphering the 1991 Milk Hill glyph found it read both ways: left-to-right and right-to-left:

Oppono-Astos = I oppose acts of cunning (deception)
and OII-OCCULUI-II-NUNC-IIO = I am hidden for now

The Background:

Hackpen Hill, August 26th: remarkably perfect crop design on the edge of the Marlborough Downs, where the ancient Ridgeway skirts the sacred energy center … many experienced lift-off within the circle

For those passionate crop circle followers who lovingly noted each bent node or whisker of a central tuft since the wet season of 2012 began, the prehistoric sacred triangle centered on Avebury—radiating northwest to Windmill Hill, east to Marlborough and south-south-east via the ancient Ridgeway, Silbury, West Kennet and the Sanctuary to Woodborough Hill—has manifested miracles. The ancient energy which drew neolithic farmers from their precious labor to erect sacred stones in respect for its potency, was the same electromagnetic force recognized by current researchers as being instrumental in producing crop formations.

Avebury heartland is simultaneously neolithic stone circle heaven, and twenty-first century crop circle hub. And it looked as if the sacredness was beginning to rub off.

“The crop circles have become signs and portents of our time. They function as huge Rorschach tests writ large in the fields of southern England, deciphered according to the belief of those who view the phenomenon”
John Lundberg, circlemaker

Stories like the Hawkins group-decyphering abound within cropcircle internet groups and their Wiltshire colleagues, the on-the-ground experts who watch each year and share interpretations.

In late August, after a dreary year of rain-drenched crops, with anxious farmers cutting fields as soon as standing grain was dry enough to drive a combine through, several crop designs came and went overnight. The build-up of croppie anticipation was dashed in several instances of crop circles being cut out before visitors could set foot in fragile fields. In many instances, solitary aerial photographs were a boon to those making the journey on foot, only to find a formation had vanished. Many felt disappointment, experienced no clearcut finale , as in previous seasons.

As the season lengthened into fall, and September 11th drew on to equinox—many Maya-inspired followers were anticipating a series of consecutive energy portals described vividly by Maya scholar Miguel Etchepare, featured in our last blog, A small intrepid group-within-a-group sensing a need for closure and an energy-doorway offering an opportunity, synchronously envisaged asking for another design to appear. If a communal prayer went up, perhaps the spirit of the corn might hear and send a reply.

The Visualization:
Hesitant amateurs at first, the ‘experiment’ couldn’t decide on what to visualize: the last CC had been the stunning August 26th hypercube, above: an exquisitely executed UFO-launch pad at Hackpen Hill. Yet the dominant theme of previous months had been the ‘tadpoles’, dragon-energy, the voice of Mother Earth-serpent before she settled on her sacred nest. The Maya Tzolkin portal presented ten consecutive days full of serpent energy; intense discussion followed via various threads, and design suggestions came forward. The inspiration percolated.

Our ancestors would have been proud of us: a twenty-first century group of predominantly western first-world types who didn’t really believe in folk magic; didn’t really think they could do something so connected to the Group Mind. But Brazilian astronomer Etchepare suggested, instead of a multitude of wishful-thinking-dreamscape-ideas—which could dissipate group energy—a simple stylized serpent head/upheld curved angel wings, above right, the die was cast. The graphic was posted on Facebook, people got on with their lives; but subliminally, we must all have waited and wondered…

Avebury’s culmination of serpentine energy, August 1st 2012, pointing to December 21st alignment at dawn when Mercury, Venus and Mars rise with Saturn before the Sun
consummate interpretation courtesy Miguel Etchepare

Meanwhile Miguel, spurred on by the Tzolkin portal, was simultaneously being given divine inspiration to interpret the remarkable Lammas serpentine appearance which nestled at Avebury, August 1st. See his remarkable video, below, one of an interpretive series, linking the serpents within the neolithic amphitheatre of Avebury, Woodborough, Picked Hill to the rising of the Serpent—constellation Serpens, held by Ophiuchus—alongside planets Saturn, Mars, Mercury and Venus as a prelude to dawn on December 21st, 2012.

No wonder our prayer in sound had potency. All the energy was there. Croppies believed! As individuals focused in their own way—but on an energetic level presenting a communal tone—voiced or unvoiced—the ‘intent’, ‘request’, belief for a final glyph to appear, was sent aloft: not perhaps on the same physical level as the SETI or Arecibo transmissions of the 1970s-1990s, but, intuitively, prayerfully, with focused intent from the Group Mind to the energy matrix ‘out there’.

The Prayer:
As we all know, the sound of a loved one’s voice, or a prayer released in earnest petition, can hold a vibration similar to music. From Gregorian chant to cathedral choir to rock and roll, music creates its own sacred vibration. The original utterance made by God in all Hebrew, Aramaic, Arab and Vedic tradition was the ‘Word’: a sound issuing through the airwaves. Regardless of how one interprets it, a sound by a dedicated—however small—group of humanity issued during September 11th weekend rose into the creative matrix to swirl with other sounds among the stars.

A strictly ordered system of mathematical progressions is necessary to create the smallest speck of matter from the primeval matrix of space. This mathematical fractal progression utilizes the mathematical equation relating to three Sacred Sounds
Φ PHI = 7/5 PI/e*
Bruce L. Cathie, The Energy Grid—Lost Science, 1997

*Φ PHI – the ratio that controls the formation of life
π PI – the ratio that controls the formation of circles
e – the ratio that control the formation of logarithmic spirals

Prayer answered?
It would seem the prayer invoked an answer—perhaps more than one. The Tzolkin portal seemed to act like a live ‘conduit’ between the Oversoul, the Group Mind and the fields. The ‘galactic activation’ windows, September 11-21, which sliced through equinox blues and inspired Etchepare’s Soothing Serpents series on YouTube, suddenly on new moon weekend, October 13th, produced a new formation—magically—in Miguel’s home country of Brazil. If that were not proof enough, immediately on its heels came a second—final—design on British soil: the much-anticipated curving motif of October 14th at Windmill Hill, top. Even the most skeptic among us can see it bears resemblance to the ‘prayer’ motif, second top.

We were told in Chilbolton 2002, that there is good out there; that we should believe.

Among crop circle believers—marginalized at the best of times—there now exists a warm fuzzy feeling: an answer did come: there is good out there.

‘Conduit closing’ for 2012. *Bell sound*
©2012 Siderealview

We are Stardust taking Destiny into our own hands

Sacred geometry, sacred comfort zone

The crop circle phenomenon is really rocking the boat; even though there have been no further crop circles imprinted on Wiltshire farms (or elsewhere) since August 29th this year, world interest is piqued and they’ve picked up the baton and won’t put it down. Even Google, when I opened my mailbox this morning, had ‘Google’ written in croppie image in the bookmarks bar. If Google knows about crop circles, I assure you the whole world knows.

What is less certain is why we have become obsessed with these beautiful creations.

A very small percentage of world population lives in rural Wiltshire, Hampshire and Oxfordshire, but that is where the crop circles are: each summer another series more sophisticated and intriguing than the summer before.

Holland and Germany, Scotland and the NW Pacific states of the U.S. have had a smattering, but the bulk of appearances has occurred within the sacred precinct of ancient tombs and temples in the Cotswolds and Marlborough Downs. They are often accompanied by high frequency sound and more-than-average people-friendly feelings.

There are already an enormous number of electro-magnetic nodes in this rolling countryside. They attract fluctuations in compass readings, making dowsers mightily confused: cell-phones are turned off because their signals are useless; camera batteries recharge spontaneously. The magnetic nodes are what Neolithic farmers noticed in the land; it inspired them to build solar doorways made of stone: lunar alignments in megalithic grandeur stretch as far as the eye can see.

Now a more cosmic imprint appears in this anomalous zone. And it is affecting visitors who have described sensations of ‘deep peace’, a desire to be ‘at one with’ and share their experience with others in the circle, an ‘inner glow’.

Is it too far-fetched to call them messages from the stars?

Before he died in 1996, American astrophysicist and quantum astronomer Carl Sagan was convinced we as an evolving race were capable of using our intelligence and technology to reach the stars. He would have been the first to express jubilation at the fact that the stars may be reaching out to us in return.

‘We are stardust taking our destiny into our own hands’: his words.

One of his ‘babies’ was SETI, the search for extra-terrestrial intelligence; he spent years devising mathematical code which could be sent in pulses via (in his day) the world’s largest radio telescope in Arecibo, Puerto Rico. He envisioned pulses returning from a distant intelligence, advanced enough to understand and use mathematical signatures as a common cosmic language. When Sagan died of bone-marrow cancer in 1996, computers were large, but the internet was in its infancy. He could only dream that a radio beam of binary pulses would elicit a response from a stellar region in the middle of the Milky Way; of how a mere 13 years later computer code would be the new means of communication. He might have guessed.

He called the essence of number the ‘Rosetta stone’, the common language of science and mathematics. He was prophetic when he described distant intelligence as ‘someone fond of mathematics’, using our own knowledge to beam back to us a message we too might understand.

Fractal Wave image near Avebury Wiltshire June 2008

Sacred geometry and music have much in common: harmony of sound is reflected in the harmony expressed in mathematical Fibonacci numbers – or a cascade of increasing dimensions seen as visually perfect, the Golden Mean. After 2007, a year of curvaceous designs leading the eye and enhancing the land, 2008 brought patterns that upped the ante: in June a Pythagorean Comma graced a Yatesbury field near the ancient sacred site of Avebury. This ‘standing wave fractal’ was described by University of York electronics expert James Lyons as a pictorial rendition of the harmonic scale on a piano. “The Universe is a glorious keyboard with strings between every atom of matter (holographic) and by implication all mankind!” In July a crop circle depicting swallows (the totem bird of perspective) had a second layer added on a successive night. There were other ‘multiple’ sequential patterns. August culminated in a magnificent sacred ‘rose window’ motif (top) and several indications of the number eight or viewed laterally, infinity. Visitors to August formations were seen to kneel in prayer, sound the ‘Om’ and share food, water and animated conversation with their fellows in the barley.

The 2009 season has been heavily laced with 2012 images from the calendar of the Maya: the single remaining earth civilization still to count mankind’s progression in ‘Ages’. We humans are nearing the end of the final Mayan ‘Great Cycle’, scheduled to complete on 12 December 2012 (12/12/12). Also a record number of cropcircles in 2009 produced images of Fibonacci sequences, DNA strands of our own double helix as well as an enhanced multi-strand variation (significant, below), and a plethora of holograms or three-dimensional material bridging the divide between sound, mathematics, philosophy and spirituality.

In all this splendour, a little croppie found in a Chilbolton field in Hampshire in 2001 may have been overlooked:

Binary sequence sent from Arecibo

The Arecibo message sent on November 16th 1974 by Carl Sagan and his SETI cohorts was by design formulated as a sequence of 1679 pulses of sound in binary code (zeros and ones). It was beamed at the M13 stellar cluster in the constellation of Hercules, 25,000 light years distant. Because SETI was attempting to communicate with high caliber intelligence by means of a cosmic language (feet, meters, inches would have no meaning) it used the combination of two prime numbers, 23 and 73, as the logical format: 23 columns of 73 rows (23×73=1679) figure at left. For clarity, the zeros and ones are shown as black and white.

The message was brief. It gave in simple terms the numbers 1 – 10; Atomic numbers 1,6,7,8,15 of the elements of Life, Hydrogen, Carbon, Nitrogen, Oxygen and Phosphorus; a larger section describing the sugars and bases in the nucleotides of DNA with its double helix; a human figure (stick man) with a height of 5ft9ins expressed in ‘wavelength units’; earth’s then population of 4.29 billion (1974 value); a diagram of the solar system, nine planets and sun, with Earth placed above the others to indicate origin of the code; and a curved diagram of the radio telescope from which it was sent.

In 2001, 27 years after transmission, an answer came back. With a few differences. Binary code of zeros and ones highlighted in black and white, appears below, right. Differences are highlighted in red. On the left is the ‘answer’ which arrived on the night of August 21st, 2001 in Chilbolton, Hampshire in a field next to the Chilbolton radio telescope. (Arecibo has no barley fields; it’s on a mountain top). At Chilbolton, flattened crop are zeros, standing stalks are ones.

Chilbolton variations on an Arecibo theme

Numbers 1 – 10 return unaltered. In the second sequence, the atomic weight, 14, of silicon has been added in its correct position on the Periodic Table. [Silicon is the constituent of crystalline structure; this should excite light beings and crystal consciousness supporters everywhere]. There is a change in the number of nucleotides in DNA, which is coincidentally given an additional strand. Our stick man is replaced by a shorter being (3ft 4ins) with larger head. The ‘population’ figure in decoded binary sequence equates to 21.3 billion. In addition to Earth, the fourth and fifth planets are highlighted.

Chilbolton radio telescope and crop circle

Perhaps the population figure is intended to cover all three planets. Or it may represent a distant planetary system where the fourth and fifth are the ones with life. ET doesn’t say. The final sequence depicts not a radio telescope, but a crop formation occurring in the same field the year before. Their previous communication (2000) had fallen on deaf ears. ET was hoping this one didn’t.

While there was a flurry of interest shown in astrophysical circles at the time of the Chilbolton appearance, the general public was unaware of its significance. Criticism ensued from astronomers who knew that a radio transmission would take hundreds of years to reach a distant star system. The crop circle response was generally discredited.

It is interesting to note, however, that after Carl Sagan died, Arecibo sent a second transmission in 1999, this time aimed at the Vega, Deneb, Altair triangle and at the time there were several solar system planets and the moon in the transmission ‘window’. If the code happened to get fielded by ET in the Jupiter moon system, or one of Saturn’s orbiting bodies, the time lapse for a response is less fantastical, more worthy of consideration.

Any transmission from the stellar regions is worth our consideration, don’t you think? Our world may be about to change beyond all recognition. Our future may depend on it. Carl Sagan come out, come out, wherever you are.

Much of the research on the Chilbolton crop circle was carried out by Paul Vigay, a talented mathematician and electronics wizard, to whom this blog is dedicated. He died suddenly in 2008.