Sychronicity of Mind : Miracle in Manifestation

Conduit Closing… 2012

Unprecedented, in a tight corner of one of the last fields to be harvested in 2012, Windmill Hill crop formation of October 14th came in answer to a group prayer; image courtesy CropCircleconnector.com

Few followers of the crop circle phenomenon would expect anything dramatic to appear in English fields in mid October. Technically, the season is over. Now is the time when Wiltshire’s canal-side pubs have rescued their outdoor chairs and tables from the drenching rain and put up shutters for another year. And yet at some deep level one can venture to describe as ‘beyond our ken’, there have been other forces at work. Several ‘croppies’ hoped for just one more image to satisfy their craving, to confirm their belief that there was something still to come and, remarkably another ‘final’ design of the season—the ‘conduit closing’ message of 2012—appeared overnight October 14th next to neolithic sacred site Windmill Hill, above.

Located at one of Wiltshire’s favored hotspots, more significantly the new design was ‘anticipated’, at least by a small group of devotees, praying to have their belief confirmed by an answer in the corn.

rt: the ‘visualization’ September 11th, courtesy M.Etchepare, left: Windmill Hill CC October 14th, 2012, courtesy ET

This is not the first time crop circle enthusiasts have ‘wished for’ a design and one appeared. In the 1990s there were several instances of preemptive visualization, not least of these being the Mandelbrot Set crop formation of August 11, 1991, documented in full by Joseph Mason. Throughout that decade Freddie Silva expounded his theory that all crop circles were produced by ultrasound. Another visionary of the 1990s crop circle resurgence, Paul Vigay (1964-2009) corresponded with former Stonehenge decoder Gerald S. Hawkins, and they both agreed that sacred sound had a significant place in the creation of such ephemeral appearances. Hawkins had then recently succeeded in decyphering the Milk Hill script sent by the circlemakers in answer to his colleagues’ demand: “Talk to us” in 1991.

Vigay’s work with Hawkins led to a previously obscure relationship between sacred geometry and intervals on the music scale noticed by the ancient Egyptians: their ‘frozen music’, below. To Vigay it was a natural progression to make recordings of pixel images of crop circles which he played through a computer program, converting pixels to sound. He discovered the resulting music had a quality conducive to meditation, relaxation and deep contentment: essentially sounds in the ‘alpha’ wave band.

Dendera Zodiac in the ancient temple of Hathor, Dendera/Lunet Luxor Egypt

Many indigenous and antique civilizations had knowledge that sound could affect matter: or that certain sound frequencies are light-resonant. This information held by the priesthoods of various religions and cultures was known as Sacred Sound or the ‘Lost Chord’. See our earlier research on the healing chambers within certain pyramids which were ‘wired for sound’.

These sacred sounds form a predetermined scale of octaves.The human voice, when suitably reverent, is also one of those tones which can affect its surroundings. One has only to hear a child being lulled to sleep by a mother’s comforting song to know that such frequencies break down barriers, cross into unseen worlds.

In the Beginning was the Word
In the late nineties, before they both died, Gerald Hawkins and Paul Vigay agreed that crop circle designs manifested precisely according to Hawkins’s theory based on four principles found in Euclidean/sacred geometry, that:

“… theorem involves concentric circles each touching the sides of a triangle, and as the triangle changes shape, it generates special crop-circle geometries”

He developed a fifth crop-circle theorem elaborating on the triangle, finding that if several concentric circles touched at the triangle’s sides and corners, different triangles gave different sets of circles. He was astonished to find that the ratios within triangles, circles and other geometric configurations equated sacred design used by the ancient Egyptians— and that they likened geometry to ‘frozen music’.

An equilateral triangle produces one of the observed crop-circle patterns; three isoceles triangles generate the other crop-circle geometries. What is most surprising is that all geometries give diatonic—musical—ratios. Before us, only the Egyptians linked geometric theorems with music.
Dr. Gerald S. Hawkins

In the crop circle community the paranormal has never been the only attraction for circlewatchers. There are those who doubt, but many more believe that electromagnetic, sonar and solar powers are at work. In the 2012 season of many pitfalls—despite angry removal of designs by harassed farmers, long periods of rain, a dominant theme has nevertheless penetrated the cropwatcher psyche—that transmission via ancient serpent earth-energy is alive and wishing to communicate with those earth-dwellers willing to believe such communication possible.

Gerald Hawkins believed it, his team decyphering the 1991 Milk Hill glyph found it read both ways: left-to-right and right-to-left:

Oppono-Astos = I oppose acts of cunning (deception)
and OII-OCCULUI-II-NUNC-IIO = I am hidden for now

The Background:

Hackpen Hill, August 26th: remarkably perfect crop design on the edge of the Marlborough Downs, where the ancient Ridgeway skirts the sacred energy center … many experienced lift-off within the circle

For those passionate crop circle followers who lovingly noted each bent node or whisker of a central tuft since the wet season of 2012 began, the prehistoric sacred triangle centered on Avebury—radiating northwest to Windmill Hill, east to Marlborough and south-south-east via the ancient Ridgeway, Silbury, West Kennet and the Sanctuary to Woodborough Hill—has manifested miracles. The ancient energy which drew neolithic farmers from their precious labor to erect sacred stones in respect for its potency, was the same electromagnetic force recognized by current researchers as being instrumental in producing crop formations.

Avebury heartland is simultaneously neolithic stone circle heaven, and twenty-first century crop circle hub. And it looked as if the sacredness was beginning to rub off.

“The crop circles have become signs and portents of our time. They function as huge Rorschach tests writ large in the fields of southern England, deciphered according to the belief of those who view the phenomenon”
John Lundberg, circlemaker

Stories like the Hawkins group-decyphering abound within cropcircle internet groups and their Wiltshire colleagues, the on-the-ground experts who watch each year and share interpretations.

In late August, after a dreary year of rain-drenched crops, with anxious farmers cutting fields as soon as standing grain was dry enough to drive a combine through, several crop designs came and went overnight. The build-up of croppie anticipation was dashed in several instances of crop circles being cut out before visitors could set foot in fragile fields. In many instances, solitary aerial photographs were a boon to those making the journey on foot, only to find a formation had vanished. Many felt disappointment, experienced no clearcut finale , as in previous seasons.

As the season lengthened into fall, and September 11th drew on to equinox—many Maya-inspired followers were anticipating a series of consecutive energy portals described vividly by Maya scholar Miguel Etchepare, featured in our last blog, A small intrepid group-within-a-group sensing a need for closure and an energy-doorway offering an opportunity, synchronously envisaged asking for another design to appear. If a communal prayer went up, perhaps the spirit of the corn might hear and send a reply.

The Visualization:
Hesitant amateurs at first, the ‘experiment’ couldn’t decide on what to visualize: the last CC had been the stunning August 26th hypercube, above: an exquisitely executed UFO-launch pad at Hackpen Hill. Yet the dominant theme of previous months had been the ‘tadpoles’, dragon-energy, the voice of Mother Earth-serpent before she settled on her sacred nest. The Maya Tzolkin portal presented ten consecutive days full of serpent energy; intense discussion followed via various threads, and design suggestions came forward. The inspiration percolated.

Our ancestors would have been proud of us: a twenty-first century group of predominantly western first-world types who didn’t really believe in folk magic; didn’t really think they could do something so connected to the Group Mind. But Brazilian astronomer Etchepare suggested, instead of a multitude of wishful-thinking-dreamscape-ideas—which could dissipate group energy—a simple stylized serpent head/upheld curved angel wings, above right, the die was cast. The graphic was posted on Facebook, people got on with their lives; but subliminally, we must all have waited and wondered…

Avebury’s culmination of serpentine energy, August 1st 2012, pointing to December 21st alignment at dawn when Mercury, Venus and Mars rise with Saturn before the Sun
consummate interpretation courtesy Miguel Etchepare

Meanwhile Miguel, spurred on by the Tzolkin portal, was simultaneously being given divine inspiration to interpret the remarkable Lammas serpentine appearance which nestled at Avebury, August 1st. See his remarkable video, below, one of an interpretive series, linking the serpents within the neolithic amphitheatre of Avebury, Woodborough, Picked Hill to the rising of the Serpent—constellation Serpens, held by Ophiuchus—alongside planets Saturn, Mars, Mercury and Venus as a prelude to dawn on December 21st, 2012.

No wonder our prayer in sound had potency. All the energy was there. Croppies believed! As individuals focused in their own way—but on an energetic level presenting a communal tone—voiced or unvoiced—the ‘intent’, ‘request’, belief for a final glyph to appear, was sent aloft: not perhaps on the same physical level as the SETI or Arecibo transmissions of the 1970s-1990s, but, intuitively, prayerfully, with focused intent from the Group Mind to the energy matrix ‘out there’.

The Prayer:
As we all know, the sound of a loved one’s voice, or a prayer released in earnest petition, can hold a vibration similar to music. From Gregorian chant to cathedral choir to rock and roll, music creates its own sacred vibration. The original utterance made by God in all Hebrew, Aramaic, Arab and Vedic tradition was the ‘Word’: a sound issuing through the airwaves. Regardless of how one interprets it, a sound by a dedicated—however small—group of humanity issued during September 11th weekend rose into the creative matrix to swirl with other sounds among the stars.

A strictly ordered system of mathematical progressions is necessary to create the smallest speck of matter from the primeval matrix of space. This mathematical fractal progression utilizes the mathematical equation relating to three Sacred Sounds
Φ PHI = 7/5 PI/e*
Bruce L. Cathie, The Energy Grid—Lost Science, 1997

*Φ PHI – the ratio that controls the formation of life
π PI – the ratio that controls the formation of circles
e – the ratio that control the formation of logarithmic spirals

Prayer answered?
It would seem the prayer invoked an answer—perhaps more than one. The Tzolkin portal seemed to act like a live ‘conduit’ between the Oversoul, the Group Mind and the fields. The ‘galactic activation’ windows, September 11-21, which sliced through equinox blues and inspired Etchepare’s Soothing Serpents series on YouTube, suddenly on new moon weekend, October 13th, produced a new formation—magically—in Miguel’s home country of Brazil. If that were not proof enough, immediately on its heels came a second—final—design on British soil: the much-anticipated curving motif of October 14th at Windmill Hill, top. Even the most skeptic among us can see it bears resemblance to the ‘prayer’ motif, second top.

We were told in Chilbolton 2002, that there is good out there; that we should believe.

Among crop circle believers—marginalized at the best of times—there now exists a warm fuzzy feeling: an answer did come: there is good out there.

‘Conduit closing’ for 2012. *Bell sound*
©2012 Siderealview

Jumping Dimensions: Crop Circle PHI-losophy 101

PHI, the Golden Mean seen as the Divine fractal or self-generating spiral of beauty

Since there no longer exist in this four-dimensional structure [space-time] any sections which represent ‘now’ objectively, the concepts of happening and becoming are not completely suspended, but complicated. It appears, therefore, more natural to think of physical reality as a four-dimensional existence, rather than, as hitherto, the evolution of a three dimensional one.
Albert Einstein

We think we understand dimensions. One – two – three, the above quote notwithstanding, we know our world: a pencil drawing, line on paper, are one and two. The paper itself makes it three and we’re drawing it NOW in this moment, so that makes it four. Four — the dimension of time, Einstein’s E=mc2— is where our everyday understanding of physics of our real world brings us in line with today’s brightest minds. Beyond that, our braincells need a little boost, an injection of fantasy, imagination, a mental grasshopper leap. That’s where we’re fortunate, because we’re getting a ‘little help from our friends’.

A little honey at Honey Street: PHI fractal crop circle of 08/08 at Stanton Bridge, Wiltshire

When the crop circle community stood poised, balancing on ballet points for what might materialize from those higher dimensions on the eight-gate, 8/8, our friends in high places sent us four! One at Spilsby Lincolnshire, a magnificent 500-footer at Pewsey White Horse, and a little honey, a miniscule delight in the form of a fractal at Honey Street, Wiltshire.

Large yin-yang solar flare August 7th sent CME to earth, photo Wouter Verhesen

The miniature (150-foot diameter) Honey Street design seemed like another warning that the sun was playing up — its fractal lying in yin-yang position did look remarkably like a solar flare which sent a coronal mass ejection (CME) earthwards the previous day, (SpaceWeather). But, for good measure, in case we didn’t get the message, a second mini-circle appeared simultaneously at Stanton St Bernard #2 which looks remarkably like a flaring sun, complete with solar prominence burst. Meanwhile, the irate farm manager at Pewsey White Horse, having warned visitors previously in the season that ‘trespassing’ would be dealt with severely, cut the massive formation out by noon the same day (YouTube video below). But the honey at Honey Street (Stanton St. Bernard #1) remains; is gorgeous, and while expressing multiple ideas, is a delightful feast for the eye. Brain food? Nothing too taxing (unlike the M4 coded images, further below); just a whimsical fairytale fractal (couched in CME format with wave-bending crescent) in a golden harvest field.

While over the previous fortnight earth’s deepest thinkers were pondering math ratios, alien language code and making themselves sick thinking life had sent them lemons, the Universe made us lemonade!

I feel compassion for some of the serious ponderers in Croppiedom. This season has not been easy for them. 2010 not only manifested mysticism, mathematics and dimensional momentum; it brought masses of ‘plankers‘ out of the woodwork. In conjunction with and as substitutes for what they like to call ‘anomalous’ crop circles (those formed in intense heat with ultrasound and cereal nodes bent by light, leaving vestiges of ‘angel hair’ — a pure silicon-hydrogen hallmark of UFOs aka white powder gold), the summer fields have been invaded by human designers, albeit talented, but mixing up the metaphor for us naïve believers in Ascension as a theme and confusing visitors flocking to the fields to find nirvana.

It may be this confusion which affected the Pewsey farm manager. It’s understandable: if he thinks — to quote my funny friend Fitzy — that ‘last night 100 students, studying macrame, snuck into a field and wove …leaving no evidence of their presence…’ and that they were just messing up his life for kicks, or for an art project, it’s not difficult to see why he accosted visitors and sent threatening messages, describing the work as ‘vandalism‘.

Silicon-hydrogen compound 'angel hair' found in light-created crop circles

But if he were to see his cut crop as light-enhanced, with added silicon nutrients incorporated in the grain which have health-giving properties, growth-rate boosts (and might fetch more on the market), then he might change his tune. But that supposition for another year, now. The formation has been cut.

'Anomalous' formation on top of Whitefield Hill, Woodsend, Wiltshire August 3rd showed vestiges of 'angel hair'

Not before it was thoroughly documented, though, with superb aerial photography by Matthew Williams and Pierre Beake, and while only a few pedesterians got a close-up of this 500-foot spectacle, its dimensions and message will be studied in depth long after its vestigial imprint has gone. It’s interesting to speculate that its purity of design and impact on spectators may indicate that it, too, was an ‘anomalous’ creation similar to the ‘egg-slicer’ formation of August 3rd on top of Whitefield Hill, Woodsend next to the radio transmitter. Whitefield showed evidence of light-induced elongated stalk nodes on atypical straight stems in the flattened crop, along with a residue of angel hair or ‘white powder gold’. For more detail on this silicon-hydrogen compound and its qualities, see the p.p.s on my last blog.

Gerald Hawkins, great decoder of Stonehenge and subsequent devoté of sacred geometry and diatonic musical ratios (Egyptian ‘frozen music’), wrote before he died in 2003:

If crop circles are made by hoaxers, then they should stop doing it, because they are breaking the law and damaging the food supply. If they are made by UFO aliens, they shouldn’t give us the dates of our trips to Mars and names of men from the Titanic era – famous, clever, but now forgotten. If some are transcendental, the power behind it should realize that our culture is now willing to accept transcendental happenings. If they are indeed transcendental, then society will have to make a big adjustment in the years ahead.

Through a language that’s possible for most of us to understand the crop circles, with apparent ease, carry trains of thought over thousands of years that are both transformative and liberating. The Egyptian/Sumerian priesthood did it — spared no effort in using every available surface to proclaim the existence of another dimension (their ‘after’- or future- life), so the people might understand. Now, millennia later, we so-called evolved mortals are being given similar instruction — a picture language with recurring specific symbols — from our ‘priesthood of light’, our own consciousness from a higher dimension. It is no coincidence that the Horton Friday-the-13th finale of the 2010 Wiltshire season has blatant Egyptian symbolism.

We are being shown a series of objects which exist in a higher dimension, so that our vision and perception may become clearer. Each summer, via an ephemeral canvas of wheat, barley and maize, we’re being taught telepathically: and each year-end we’ve learned more than we knew before. Light orbs (clearly from a dimension we haven’t yet got the hang of) are now so frequently witnessed, documented, and (almost) accepted as a tool of the Circlemakers, that we are having to concede our prosaic 3/4-dimensional world is a little out of date. The sensation of bliss experienced by many within light-orb-inscribed formations is not imaginary. Human bonding, spontaneous group meditations and effortless harmony with others seem to occur naturally within these creations. The Circlemakers are professors not only of beauty and precision, but sacred geometry, history, mathematics, arcane tradition and philosophy, spiritual discipline, bliss and joy!

Dan Winter, author of Phi Physics in a Nutshell, says

DNA is the seed crystal of the higher dimensional Lightbody
DNA, a perfect Phi-structured crystal connecting long waves and short waves, is a three-dimensional pattern designed to transmit information, in the form of a living being, through time and space, the fourth dimension. Its goal seems to be to create a fifth-dimensional intelligence, one capable of phase-locking with the information of the Universe stored in its crystaline coding within its DNA geometry.

Geometry is the basic creation of symmetry, says Winter. This is where the Phi-wave or the perfect spiral, Golden Mean fractal, Nature’s perfect natural growth pattern, comes in. ‘Any symmetrical structure creates a place where meeting waves, those traveling in opposite directions, can stand, that is, can phase and phase-lock.’ Standing waves give the illusion of solidity, which is the ‘segregation of momentum that makes possible the birth of matter.’

He explains why the Golden Mean spiral is Nature’s ideal ‘nest’ for converging waves:

‘In the world of waves, only the donut, (the torus or vortex), and the golden mean spiral can become coherent — hold their shape — like a smoke ring. As more of these smoke rings are created and they want to relate to the first smoke ring, they must ‘nest’ in the right pattern so that they can remember their form and still share structure. The best pathway for doing this is the ratio we call the golden mean. Only in this shape can waves nest together without interfering with each other and cancelling out their memories.’

A Phi spiral can nest triangles, squares and five-sided figures (pentagons), creating a dodecahedron as it goes. The dodecahedron (12-sided shape) is the perfect Golden Mean nest for turning information/waves into coherent structure. ‘That’s why it’s also the pattern of the braided DNA molecule,’ Winter concludes.

Julia Set fractal at Stonehenge July 1996, beloved of mathematicians, marine biologists and musicians

So our DNA, constantly evolving and upgrading through an enhancing light spectrum — with the help of sunlight and electromagnetic energy from the higher dimension — is lifting our four-dimensional world bodily towards the fifth: dimension of our lightbody.

Countless crop circles over the years have depicted the fractal. Perhaps most famous of all was the ‘Julia Set’ Stonehenge formation of July 7, 1996 whose pristine curve appeared in broad daylight at teatime after torrential rain the previous night. Its ‘comforting’ shape to mathematicians represents a complex computer-generated fractal image; to musicians the bass clef, and to marine biologists the cross-section of a nautilus shell.

E = mc2
Matter is just a lot of energy moving so slowly that we can touch it and sit on it. Energy is just a little bit of matter moving so fast we have trouble finding it: simply put, they’re polarities of the same substance, which is flowing and moving at different rates constantly through the Universe.

But there’s an even bigger idea for this 101 dissertation in our Dimensional PHI-losophy class:

Perfect symmetrical geometric shapes contain, ‘nest’ or embody energy. So, by focusing our ‘intent’, (heightened with love, desire, feeling, emotion, belief and will) we can make things happen — ‘create matter’. That’s why New Age philosophy, esoteric disciplines and native American ancestral wisdom describe us as the ‘Creator’.

‘Where attention goes energy flows‘.

New Age and ancient teaching of the Mystery Schools,
multi-platform

There’s one aspect we still don’t quite understand, but it’s worth keeping all the balls in the air.

The connection to sound — ultrasound, music in any form as inspiration and its creative ability as a ‘wave-particle’ — cannot be overlooked. Gerald Hawkins was fascinated by the diatonic scale — another fractal, or ‘perfect’ progression of the familiar octave on the piano, bassoon, saxophone, guitar. Notably he and Paul Vigay corresponded on its unique function in crop circles before both died. They found not only that crop circle images converted into sound through special computer software produced meditation-inducing alpha waves; but that the reverse hypothesis was true — that ultrasound is a factor in producing images in the corn.

Solstitial Phi formula in Vale of Pewsey lies immediately below the Heart chakra - the (Sanskrit) wheel that directs life

Earlier this season we were gifted another stunning coded triangular motif in the Vale of Pewsey on Solstice, which turned out to be an ASCII rendition of 1.61803399, the golden ratio = ϕ Phi. It is clearly a formula close to ET’s heart! I still believe that it, like the coded canola musical box disc in the May 22nd Wilton formation, if played through Vigay’s software, would produce sound in the alpha range. We shall have to wait for Paul’s lightbody to arise and return.

Meanwhile a great deal of speculation surrounded the double appearance on either side of the M4 motorway at exit 14 to Hungerford on July 30th. Decoding the dual image has so far proved inconclusive, but when combined, the formations revealed a face overlaid on 16 lines or ‘strings’. Musicians, Lotus Ocean are overjoyed that their guitarist/avatar PT’s face appeared embedded in twin pixels flanking the M4, his daily route to play ritual music in crop circles. Their idea is not totally far-fetched. There are 16 petals in the divine lotus — a symbol of Ascension — and music, specifically ultrasound, has been found to produce waves of rapture in electromagnetic forms by Vigay, Hawkins and others (humans and wheatfields being similarly influenced by alpha waves). PT (Prashant Trivedi) is a string musician deeply entrenched in Vedic ritual and symbolism. Following his ritual AUM (OM) incantation within the ‘Druids cave’ near East Field, Alton Priors in 2007, the massive 2.25-acre OM crop circle of 7/7/7 appeared.

Sound is, after all, another form of energy in the electromagnetic stream that we all share in this amazing new world of heightened perception.

Are we willing to go for it: will we pass the exam, graduate from Dimensional PHI-losophy 101?

Our goal is fifth-dimensional awareness, a state already reached by many during meditation. It can be described as our ability to see all space and time, energy and matter, as components of one original wave form. This bliss state can, according to Winter, ‘bend light into a circle of self-awareness’. It creates a rich ultraviolet/blue explosion of energy that accompanies the Merkabah rise of Kundalini, Winter’s phase-lock of biological energies into the flow of the universal information energy stream. This enfolded love-state creates enlightenment, a state where the awareness of the universal mind meets itself at every wave junction.

The more we meditate, project from a state of love, feel gratitude, the closer we come to permanent nirvana.

Howzat for lateral thinking.

Crop Circle Season: an early bird?

Weeks before swallows return, we may see an early start to crop circle season

I believe the 2010 Crop Circle Season is imminent. I don’t mean this July. Much sooner. Possibly even next week.

I made a few notes on dates previous seasons began – even after atrocious winters – thinking I had at least another week before I needed to post this, another week of research and doublechecking the facts. But, in going over it again, I realize Crop Circle Consciousness is upping the ante.

H2O molecule or octohedron, West Overton June 1999

A decade ago the first crop designs in Wiltshire and Hampshire appeared when barley and wheat were beginning to show signs of ripening at the end of May and the first week of June. Similarly, in the early years of the 1990s’ decade, seasons began May-June. But as the decade got older, consciousness quickened and seasonal appearances started happening earlier. By the last year of the ‘nineties, 1999, the first crop circle appeared in Over Wallop Hampshire on April 3rd! In the early ‘noughties, up to and including 2006, the season didn’t begin until well into May or even June (2003-2004) in ripening barley and wheat. Then, bang, as if the last years of the decade again brought anticipation and focused interest on the phenomenon, the season started earlier: 2007: April 15th at Oliver’s Castle, Wiltshire; 2008: April 20th Waden Hill, Avebury. Last year, the first crop circle appeared in oil seed rape – not yet in flower – on April 14th at the Ridgeway.

April 14th is less than a week away. And there are already a number of fields planted in oil seed rape (canola) in Wiltshire, Oxfordshire and Hampshire.

Picked Hill, Wiltshire August 2000 'flower of life' crop circle

This year April 14th is also Vedic New Year: Vikridhi; the name itself occurs only once in 60 years. A week later, it’s Earth Day (Arbor Day), a northern hemisphere date chosen to celebrate the birth of naturalist John Muir, but more recently absorbed into the Earth-First culture of organic growers, tree-lovers and tree-huggers everywhere and, naturally by analogy, those who celebrate the earth’s crowning glory in crop form: the Croppies.

We all know the crop circle phenomenon has been getting more notice of late: worldwide attention, in fact. On the internet alone, it features in websites as diverse as ρѕу¢нє∂єℓι¢ α∂νєитυяє run by supreme techwiz ‘CO’, to the photographic marvels of Karen and Steve Alexander to the ultimate in documentary archives, the Dutch-run multi-lingual Crop Circle Archive which seems to have catalogued every crop pattern in every country since the beginning of Creation!

Then there are the more philosophical and ‘mystery school’ sites like Freddy Silva’s Crop Circle Secrets, Krsanna Duran’s Timestar and Paul Vigay’s leading-edge research site, Crop Circle Research.

Given that in all self-realized culture, ‘consciousness equals reality’, we’re speaking about a large slice of humanity who follow such blogs and website updates; a large group of people whose consciousness is willing the new season to begin.

CO runs an international blog, unfunded by donations, a labor of love. He’s very good at what he does, his blog-traffic is astounding (one hit every five seconds) and he has a distinctly Vedic following. The Alexanders, Cropcircleconnector and Lucy Pringle, on the other hand, are a little more conservative, receive handouts with solid Brit, or WASP, backing (Americanese for White Anglo-Saxon Protestant), and have a slightly more ‘English’ approach to the subject. You are encouraged to buy a T-shirt or log on and read a plea for financial support before you can be routed to the goodies. The Dutch archive site offers a diagram catalogue of every crop circle, is volunteer-funded, but its attitude is open and its following represents perhaps half the First World. I like to think of CO’s following in the Indian Subcontinent as the Second World. The Third World is, so far, unrepresented.

So, give or take a few million, let’s say half the world is anticipating the new crop circle season. Not consciously, perhaps, but after a hard winter with only images in one’s mind or on one’s computer to feed off, it is hungry for a new influx. The future is wide open: will it show more mathematical code, more Mandelbrot sets, develop wild sacred geometry, or will it take the form of a Fibonacci spiral’s striking beauty? Or, or. . . will we of human culture stretch our superhuman electromagnetic circuitry and present ourselves with something we’ve never conceived before?

‘You mean, crop circles are rock ‘n’ roll?’ Julian Cope

Before he died, Paul Vigay wrote of his amazing work in crop circles. It ranged from simple on-the-ground measuring data and observation of cell-structure change in wheat, through correspondence with Gerald Hawkins on sacred geometric design, through illuminating discoveries in ultrasound. His work with Hawkins led to a previously obscure relationship between sacred geometry and intervals on the music scale noticed by the ancient Egyptians: something they likened to ‘frozen music’. It seemed to him a natural progression that he should later make recordings of pixel images of crop circles played through a computer program which converted pixels to sound, and discovered that the resulting music had a quality conducive to meditation, relaxation and deep contentment: essentially sounds in the ‘alpha wave’ band. He said:

Inspired by the work of Gerald Hawkins and our conversations on musical theory, I felt there was an important link between music and crop circles. Combining the two, I developed some computer software that could convert crop circle images into musical notes to see what ‘tunes’ were composed by them.

He recorded several soundtracks from different crop formations which can be downloaded from his website – maintained lovingly since his death. It did not surprise him that others ‘heard’ music while walking or kneeling or sitting inside crop circles which had been recently formed.

There are also a number of ‘coded’ messages which have been received and transliterated over the years. The Chilbolton radio telescope message is only one of many. I would recommend for code-lovers the lengthy study made by Robert Boerman in 2001 after an attempt to communicate with the circle-makers elicited a ‘reply’. This early documentary evidence was one of Hawkins’ favorites and its interpretations are fully discussed on the Dutch Crop Circle Archive.

Mandelbrot set visual in fractal geometry

I mentioned the chaos theory aspect of mathematics represented by the Mandelbrot set. It’s a complicated concept, even for a mathematician, discovered by French-American ‘father of fractal geometry’ Benoît Mandelbrot, aged 85, and still theorizing! Joseph Mason, a student of human consciousness (dream-sequences, results of concentrated intentional motivation), chose to experience learning its potential by his own method of study: concentrating by day, dreaming by night – and noting down his own responses, intuitive actions, human motivation.

Mandelbrot crop circle formation appeared after his dreams

As a non-mathematician, he familiarized himself with its complex form in chaos theory which, when projected visually, creates a satisfyingly circular heart-like geometric pattern with frilly edges, called a Mandelbrot Set. He made copious notes as he went along and was not surprised when, nine months after he started the experiment, a Mandelbrot Set design appeared as a crop circle. It convinced him even more firmly that our own consciousness is creating the formations.

The last few seasons of crop designs have made an unprecedented advance in complexity and beauty; our Group Consciousness is indeed making us sit up and observe the Earth with new eyes.

This dear planet we call home is where we are nurtured – particularly in the warm summer months when the Earth showers us with blessings. If only we might allow ourselves a break from thinking ‘poverty consciousness’ (‘running out of oil’) and instead dream up new ways to operate (‘an electric motor run on magnetic particles rather than coils’), within the bounds of her precious resources.

We are the caretakers. If we start taking better care of her, she will provide us with everything. All our needs will be met. We have only to think of miracles for miracles to occur.

We’re already wired for the upgrade. Our DNA has been receiving increasing light boosts since our rendezvous with Galactic Center at midwinter. Consciousness equals reality. We are capable of creating wonders beyond our wildest dreams.

And, what’s more, the new season of crop circles may show us the way…