Archaic hieroglyph inscribed on circumference of newest dimensional crop circle at Cherhill, Wiltshire
“Miracles start to happen when another unseen world intersects with our own.”
—C. S. Lewis, 1947
The Fabric of Space
Ever since Einstein, mathematicians, sacred geometers, astrophysicists and scientists of all disciplines have struggled to explain the fabric of space.
Lisi's Theory of Everything (ToE)--note similarity to Jubilee Plantation form
“The world as we have created it is a process of our thinking. It cannot be changed without changing our thinking.”
— Albert Einstein
One of the latest in a long line of contenders (including charismatic Nassim Haramein, whose theory of ‘Resonance’ is constantly expanding) is the E8 Group. Garrett Lisi‘s E8 ‘Theory of Everything’ (subatomic) strives to explain –on the back of Einstein’s relativity, and assuming gravity as the dominant force — how all things fit together. It is a nice idea. But many quantum physicists and mathematicians disagree. “…[E8]‘s biggest flaw is probably its starting point, because gravity is not a fundamental force, but an emergent one, as postulated by Dutch theoretical physicist Erik Verlinde.” David Deutsch, author of The Fabric of Reality: towards a Theory of Everything (1998) and The Beginning of Infinity (2011) says ‘one of the most valuable, significant and useful attributes of human thought is its ability to reveal and explain the fabric of reality.’
Cherhill 5D cube --'penteract'-- at Jubilee Plantation: connections made by physicists to E8 theory; or is it Max Planck's 'Divine Matrix'?
’s Wave Structure of Matter
, describes how waves in quantum space form all the matter of the Universe. His simple, elegant explanation of how matter forms at a point/node, answers some of the basic questions in physics, e.g.
WHY gravity exists. Previously physics taught that particles were the “stuff,” and the rest is empty space. It seems the opposite may be true. Space now looks like a multidimensional fabric with nodes where particles of reality form
and reform where waves cross, as they move through this fabric. Wave patterns, vibration and sound
play a huge role in the illusion we call matter.
Deutsch disagrees with Stephen Hawking that the human race is ‘typical’ in the Universe, merely ‘chemical scum’ on the surface of a ‘typical’ planet. He thinks we are an exceptional species, our knowledge accelerating at a phenomenal rate. He agrees with Nobel prizewinning physicist Richard Feynmann that the ‘Multiverse’ is our quantum medium and we sentient beings are the most important entities in it. His work in the field of quantum computers makes him an optimist. Like Terence McKenna, he believes, all (human) knowledge is without boundaries, constantly evolving. McKenna said in 2000 before he died that humanity is headed for a world made out of Mind:
‘Mind instead of “stuff”…a hologrammatic disk, part bio, part machine, part think tank, part Mind’
Deutsch, working in 2011 to create the ultimate quantum computer environment, is making McKenna’s prophecy a reality.
Other physicists, Quantum or otherwise, converse in terms of the Multiverse. Sabine Hossenfelder and Rob Bryanton, author of Imagining the Tenth Dimension say we have only scratched the surface. In this realm of multiple dimensions and parallel universes, gravity seems to have taken a back seat to a simpler field of energy where waves interlock and form ‘nodes’ of matter. Just like crop circles do!
Sabine (Bee) is, like fellow physicist Bryanton, besotted with additional dimensions. They are true disciples of Max Planck, known as the ‘father of quantum physics’. He believed all reality was contained within a Matrix, which he called divine because it displayed a field of energy which appears intelligent. Planck shocked contemporaries in 1947 by confirming what the Ancients believed — on all continents — that the Universe is being run by a Divine Being with our interests at heart. He also said ‘Mind is the Matrix of all Matter.’
“All matter (from the birth of stars, to human DNA and everything in between) originates and exists by virtue of a Force. We must assume behind this force a conscious, intelligent Matrix.” Max Planck, 1947
Gregg Braden, a former aerospace computer systems designer, transitioned into his life’s work of trying to understand this matrix. He sees this ‘container of the Universe’ as the bridge between our imagination and reality, as well as being the mirror in our world for what we believe: a reciprocal process. ‘To unleash the power of this matrix in our lives we must understand how it works and speak the language that it recognizes.’
Perhaps the Jubilee crop circle is saying just that: getting us to read the code; opening our minds to interpreting symbols other than words on a page.
So, if Space has the underlying predetermined form of the ‘golden decagon’ which the Jubilee Plantation crop circle portrays — with specific lines absent so that it looks like a 5D cube (penteract) — its internal structure seems based on the Golden Mean/Ratio, Phi (Greek letter uppercase Φ, lowercase φ, or written mathematically ϕ); that magical balance of beauty, harmony and form that gives us shivers to contemplate.
Just as previous crop circles have given us clues, little coincidences, double entendre allusions to inside knowledge, names, nearby features, and particularly sacred form and meaning, this season’s finale seems filled with meaning. It is simultaneously seen in the physics community as ToE (above), to sacred geometers it is a 5D hypercube, and a spider web. (Native American mother arachnid warns us to be mindful of the web we weave in our lives; to focus on our choices). The crop circle’s perimeter webbing is indeed masterful — a tapestry of careful precision, photo below. Looks as if we’re being given some good advice.
A tesseract looks simple when conceived from fifth dimensional perspective, courtesy Rob Bryanton
Once again ET/our human-Oversoul
reminds us we are part of something divine and, even more exciting, communally about to transition into — the Fifth Dimension.
Carl Sagan, in describing a Tesseract (4D cube), carefully talked us through an understanding of seeing the fourth dimension as ‘another form of measure at right angles to the ones we are familiar with’ or, more simply, to look at its shadow. Many of last year’s (2010) crop circles presented hypercubes and allusions to the fourth dimension. Now we are being presented with a progression into the fifth.
How does our imagination picture a further dimension at right angles to time?
In the fields of Wiltshire, harvest is almost over. Only a few acres remain to be cut and stored. Another season has come and gone.
Cherhill Pentaract, a hypercube in 5D, resolves into form once your eyes accustom you to the illusion of movement,
image courtesy Steve Alexander
But our dimensional brothers from another time-space-reality have been sending us messages nonetheless. They continue contact with our subliminal consciousness so that, if we allow the communication to root, it will add another notch to that strand of human DNA that is consistently expanding, upgrading, enlightening us to understand a newer, all-encompassing reality — one we’ve never encountered before.
The crop circle at Jubilee Plantation may be the last of the season. It is ostensibly a simple decagon surrounded by woven grain and etched in the center with slim lines of apparent intricacy — only one footprint wide on the ground — and probably the most important crop circle which has been imprinted this year. Like last season’s finale, when seen from above *as with all designs inspired by our Oversoul [*see Nazca lines], it serves to click an unbidden trigger in our synapses and unleash our dimensional observer: the one who sees multiple cubes rising and descending in the elevator of our mind.
The Pentaract is, in animation, a constantly imploding and exploding hypercube extruding itself from its own cone of squares like a rectangular telescope. In shadow in the field, its 2D shape is merely a mass of thin lines. But this field imprint is a masterpiece of dimensionality that only our human consciousness [in its expanded version] could devise to send back to us through time/space and via the elevator of understanding which we croppies hope we project in our willingness to receive, before the season is out.
Deutsch, an innovator like his gurus, Richard Feynmann and quantum cosmologist Leonard Susskind, likes to simplify. The beauty of a formation (in the field or in mathematical formulae) betrays for him a simple truth. Susskind believes we are having an intelligent conversation with the Universe. Physicist Deutsch, an Oxford don, appears to be honing that into sharp focus, by bringing ecology, natural selection, physics, mathematics and evolution into the conversation via computer technology. He points out the shocking fact that the earth’s natural ecosystem is almost incapable now of supporting human beings, certainly in any numbers. We have created our own life-support system of food, energy, transport, shelter and communications. He is fond of using his own territory of Oxfordshire as an example. Take away the farms and modern infrastructure and, in the woods and downs, little of the vegetation that is left now is edible. He, like Stephen Hawking (but for different reasons) advocates upgrading our planetary exploration capability and getting ‘out there’. His Beginning of Infinity is a great treatise on Life, the Universe and Everything, a book for our time where the answer is not 42: it is infinity.
The Significance of Venus
Woven 'fabric' of Jubilee plantation, image Frank Laumen. The August 15th crop circle is a masterpiece of wordplay, timing, sacred geometry and cultural prompting. Its decagon (double pentagram) appeared on the day planet Venus (pentagonal orbit) reached superior conjunction
This season’s shapes
have constantly encouraged us to leave our myopic cultural concerns and look to the heavens. Earlier in the season, crop designs focused on orbits of the solar system’s inner planets, cometary ‘intruders’
, reminding us of knowledge known to our ancestors but apparently ‘lost’ to modern civilization. Few knew, for instance, that the day of the Jubilee plantation appearance was astronomically significant (particularly to ancient skywatchers) as the moment Venus reached its farthest elongation
from Earth in direct line on the other side of the sun from us — known as superior conjunction — when all three bodies line up, but when Venus becomes ‘invisible’. As the ancient Babylonians described her, Ishtar/Venus the dual-phased (Sumerian double countenanced Inanna
) morning star of war and wrath now enters the Underworld
, where she transitions from being goddess of war in the Eastern sky and emerges 60 days later as evening star in the West: Ishtar
/Aphrodite, goddess of love. What a great pity our modern prosaic preoccupations with money and status no longer allow us to look at love and war with that cosmic perspective.
‘When beggars die there are no comets seen
The heavens themselves blaze forth the death of princes’
Calphurnia, Julius Caesar II ii 30 Wm Shakespeare
Hurricane Irene making landfall on the East coast of the USA, August 28th, 2011
Much of the eastern United States is at present having to contemplate the power of the planet, in a frightening double dose of earthquake and hurricane
. This electromagnetically-sealed planetary body is suddenly seen, not merely as the mothership that guides us through those remote reaches of interstellar space, but as herself a biosphere of living, moving, reacting interplay of elements: fire, water, air, earth. Suddenly what the Ancients believed takes on meaning few in formerly powerful Wall Street or choppy Chesapeake could have imagined.
Our place in the Universe is constantly changing and ancestral societies DID know more about this reality than we, shadow people of 21stC society, do. We wake up one morning and everything has changed. Power is for a moment seen, not in the symbolic dollar or in terrestrial exploitation to squeeze every last ounce of energy out of an exhausted source; but in a living, breathing rotating body in the heavens responding to electromagnetic pressures being thrust upon her.
To the Ancients (Maya, Sumerian, Babylonian, Egyptian, Greek, Roman, Chinese, Hindu, Aztec and Inca) Venus’s elongation was symbolic of (sacred) periodicity — an amazing calculable phenomenon which ties the two planets forever locked in celestial embrace as they orbit their parent Sun. There is no more potent symbolism seen in the heavens than the exact cyclical rhythm that Venus dances with Earth: Venus travels faster than Earth, orbiting the sun 2.6 times to Earth’s 1.6 orbits. This means that five Venus cycles of 548 days exactly equal eight Earth cycles of 365 days. Five Venus years equal eight Earth years. Exactly. The beauty of that synchronicity was not lost on formative societies. It was the stuff of which their gods were made. The Venus rotational cycle formed a perfect sacred pentagram. This is also contained in the Jubilee crop design.
Ninth Wave of Calendar of Consciousness for 2011: split into seven 'days' and six 'nights'. We entered the fifth 'night' August 18th
Currently the Long Count calendar of the Maya
is gaining popularity, thanks to the willingness of Maya Elders
to share sacred handed-down knowledge, to scholars who have gone before, like Ian Xel Lungold
, José Argüelles
, and to current teachers of the 5124-year calendar cycles like Carl Johan Calleman
What is gradually surfacing — not through television or newspaper reportage, but through that McKenna/Deutsch miracle of quantum computing, the Internet — is that the Ancients knew a thing or two and we would be well-served to pay attention. The Thunderbolts Project, mentioned earlier in our Siderealview blog, a consortium of physicists, mythologists, astronomers, authors and plasma technicians, has now published intriguing proof that ancient mythology, cave and rock art and petroglyphs from Mesopotamia to Russia and Tibet, from North and South America to Northern Europe all described Earth’s volatile beginnings as a planet surrounded by other heavenly bodies — a little too close for comfort. That, before the Age of Reason and the vision of heavenly stability we see in our skies now — nine impeccable planets circling an orderly star — there was an Age of Chaos. And that these unruly planets gave their names to archaic deities: that the gods WERE planets; fiery dragons and thunderbolts were comets, the stuff of the stars.
Saturn/Kronos as Creator
Saturn appears regularly as the oldest god: before the Sun, Saturn ruled [Saturnia Regna = Golden Age].
Ancient belief systems from both Old World and New have often featured in our Siderealview. And, while we continue to extol the virtues of that bible of myth by Giorgio de Santillana and Herta von Dechend, Hamlet’s Mill (1969-2002), an ‘Essay investigating Origins of Human Knowledge & its Transmission through Myth’, with its huge databank of archaeoastronomical research on which world myths are founded, the Inca pantheon — the Inca celestial myth has similarities to all world cultural branches — seems to have escaped their notice.
The mythology and chronology of the Maya is currently in vogue and getting a lot of attention. But it helps to look at pre-Columbian belief generally — Inca peoples in particular — as the picture painted there is one of pure untainted primitivism: something lost in other cultures where transmission has been heavily edited, influenced or interpreted.
Chandra telescope image of Saturn's rings emitting X-rays; below 1913 Birkeland lab experiment on electrical 'sun-like' behavior of Saturn
Roman naturalist Gaius Plinius Secundus (Pliny
, AD23-79) wrote erudite work based on scientific observation:
“Heavenly fire is spit forth by the planet as crackling charcoal flies from a burning log.” He was speaking of ‘comet-Venus’ but he recorded interplanetary ‘thunderbolts’, in his time and in Roman history thrown by each of the three ‘upper planets’, Mars, Mercury and Saturn. He actually died during the eruption of Vesuvius, poor man.
Rome may have had its master observers whose documentation is beyond question, but such references are scanty in the Americas.
“The natives of this country say that in the beginning, before the world was created, there was one whom they called Viracocha. And he created the world dark and without the Sun, nor Moon, nor stars.”
Inca (preColumbian) creation myth
INCA EMPIRE: Quechua ‘TAWANTISUYU’
Tawantisuyu stretched from Ecuador in the north through the Andean kingdoms of Peru, west and south-central Bolivia, through northwest Argentina, Chile and southern Pacific coast; the European equivalent of a huge kingdom lying between the coast of Portugal and inland Caucasus.
Altar tablet from Coricancha temple to Viracocha in Cuzco before it was destroyed: 'gods' Sun (l), Moon (r) flank Viracocha's central gold disk with Mars, Venus and thunderbolt below
The language of Quechua
survives. It straddles this last millennium, offering insight into their elusive yet strong belief in heavenly deities, rather than –as seen in vestigial effigies dedicated by the Maya to their gods– a religion dominated by statues
. The only exception in worship of a planetary pantheon was their use of gold to simulate LIGHT. The Maya, on the other hand, had a fully functional ‘alphabet’ of symbols inherent in their multi-functional Tzolkin calendar
and an amazing history, Book of Chilam Balam of Chumayel
which retold their history (and that of their ancestors, the Olmec) going back at least to 4200BC. Maya culture, while not totally continuous, has survived. The Inca belief system
However, both cultures, along with all the oldest mythologies in the Old World, shared the belief that the original sky god (before the sun) was the equivalent of Greek Kronos (Father Time), Mesopotamian Shamash/Ninurta, Babylonian Sakkuth, Sumerian Anu, Etruscan Satres (from whom the Romans borrowed Saturnus) — the first planet/god who created order out of primeval chaos. This was Saturnia Regna, (trans. rule of Saturn), the ‘Golden Age’.
In the Chilam Balam, Saturn is the nameless one — known only as Oxlahun-ti-ku, (trans. the ‘Thirteen’, perhaps referring to his moons; Cuzcoan Viracocha) — one of two gods ruling the heavens. Venus was ‘born’ in 3147BC, when Longcount began. In the Inca creation legend, Viracocha is the Great God (Saturn, temple disk above), worshipped by the sun, moon and planets.
One last teaser: before we return to our preoccupation with culture, conformity and crisis. Where thunderbolts and lightning struck terror into the hearts of primitive peoples — not unlike the terror being felt in the eastern US states right now as Earth tears her hair and sheds her shackles — the power of light, plasma discharge, electricity and magnetic storm had a hold over our ancestors. They viewed the heavens as a place from where gods came to wield instruments of light not known on Earth. Similarly, light orbs (balls of light, ultrasonic/electric crackling) have been witnessed in association with crop circle formation.
So many eye-witness accounts now attest to the creation of authentic crop circles — sometimes literally in minutes — by means of hovering plasma balls of light, that their elusive nature was this year one of the serious discussions at the annual CircleChasers gathering July 27th at Alton Barnes. Perhaps the most genuine, enduring — and authenticated — footage capturing the orbs is that of Steve Alexander’s Milk Hill video (1990).
Thunderbolts, light orbs, gods in the sky. The seasonal finale seems also to signal symbolic change (N. hemisphere) from summer (Leo full moon August 13) to fall (Virgo new moon August 29) — always a deep psychological shift. It also marked Maya 5th ‘night'(of world chaos) August 18th-September 4th.
That elusive ‘signature’, shown top, next to the Jubilee crop circle harks back to several ‘dragon’ designs of earlier years. It may even be the meteorologist’s symbol for a ‘weather-feather’. But it surely connects us through age-old wisdom to ancient beasts of prophecy — dragon, serpent and crow. It now appears with intriguing regularity each season.
Jubilee plantation’s choice location may also signal reason for jubilation: transition to higher, more noble principles, unbelievably even entry into the fifth dimension.
Suspending our disbelief, we are capable of creating new miracles, events which are not part of commonplace experience. We are becoming a one-world consciousness. Together we are beginning to resonate as OneMind. The Elevator doors are open. What are we waiting for?
©2011 Marian Youngblood